- BPM
- 80
- Key
- E Minor
- Camelot
- 9A
Adam Lay Ybounden by Philip Ledger, Nicholas Madden, Tenebrae, Nigel Short Song Details
"Adam Lay Ybounden" by Philip Ledger, Nicholas Madden, Tenebrae, Nigel Short had its release date on July 31, 2015. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Adam Lay Ybounden's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 22 in A Very English Christmas by Tenebrae, Nigel Short. Adam Lay Ybounden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Adam Lay Ybounden by Philip Ledger, Nicholas Madden, Tenebrae, Nigel Short is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 18%
- Loudness
- -28.532 dB
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 52%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | |
 | Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | |
 | All-night Vigil, Op. 44: Svete tihiy | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Minor | 1 | 7A | 78 BPM | |
 | A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | |
 | Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | |
 | Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | |
 | Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | |
 | Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Minor | 1 | 12A | 87 BPM | |
 | All-Night Vigil, Op. 37: X. Having Beheld the Resurrection of Christ | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | |
 | Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | |
 | Taverner: Dum transisset Sabbatum I | John Taverner, Philip Ledger, Choir of King's College, Cambridge | F Major | 1 | 7B | 133 BPM | |
 | They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | |
 | Angel Voices, Ever Singing | Edwin George Monk, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 0 | 7B | 129 BPM | |
 | Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | |
 | Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | |
 | Tallis: Lamentations of Jeremiah, Second Lesson, P. 110: IV. Heth, "Facti sunt hostes" | Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger | G Minor | 1 | 6A | 96 BPM | |
 | 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | |
 | How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | |
 | Fögur er foldin | Anders Öhrwall, Matthías Jochumsson, Kór Langholtskirkju | E Minor | 0 | 9A | 84 BPM | |
 | Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | |
 | Wolvercote "O Jesus, I Have Promised" | William Harold Ferguson, The Choir of Christ's College, Cambridge, Alexandra Jobling, David Rowland | B♭ Major | 2 | 6B | 88 BPM | |
 | The day Thou gavest, Lord, is ended | Clement Schofield & des. Malcolm Archer, Wells Cathedral Choir, Wells Cathedral School Brass Ensemble, Malcolm Archer & Rupert Gough | A♭ Major | 1 | 4B | 81 BPM | |
 | O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | |
| O Radix Jesse | Rihards Dubra, Choir of Merton College, Oxford, Benjamin Nicholas | G Major | 2 | 9B | 128 BPM | |
 | Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse) | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | C Minor | 1 | 5A | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records