On June 24, 2016, the song "Live the Day" was released by Jonathan Atkinson. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jonathan Atkinson's "Groove Café, Vol. 7" album is number 4 out of 10. In terms of popularity, Live the Day is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Live the Day by Jonathan Atkinson to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magic Days and Magic Ways | Jack Lukeman | E♭ Major | 3 | 5B | 87 BPM | ||
| Martha / Act 2: Last Rose of Summer | Friedrich von Flotow, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 1 | 7B | 76 BPM | ||
| Salut d’Amour | Jeremy Young | E Major | 0 | 12B | 63 BPM | ||
| Vinterlandskapet | Stockholm Session Strings | G Major | 2 | 9B | 85 BPM | ||
| Blue Morgan (End Credits) - From "Million Dollar Baby" | Clint Eastwood | C Major | 0 | 8B | 72 BPM | ||
| The Father's Song | The Unthanks | A♭ Major | 1 | 4B | 108 BPM | ||
| Le discours d'Arthur | Jérôme Rebotier | G Minor | 1 | 6A | 72 BPM | ||
| From Small Beginnings | Paul Reeves | D Major | 2 | 10B | 130 BPM | ||
| Remorse Code | Richard Hawley | D Major | 4 | 10B | 113 BPM | ||
| Inner Sanctum | Jonathan Atkinson | D Major | 5 | 10B | 100 BPM | ||
| Silencium - Music of Inner Peace: 12. Silencium | John Harle, Sarah Leonard, Alexander Balanescu, Paul Clarvis, Choristers of Worcester Cathedral, Silencium Ensemble | G Minor | 2 | 6A | 85 BPM | ||
| The Armed Man - A Mass For Peace: Benedictus | Karl Jenkins, Laura Wright, The City of Prague Philharmonic Orchestra, Richard Hein | C Major | 1 | 8B | 109 BPM | ||
| Sara's Remedy | Irya Gmeyner, Martin Hederos | G Minor | 1 | 6A | 100 BPM | ||
| Just A Gigolo - From “Just A Gigolo” | Marlene Dietrich | A♭ Minor | 1 | 1A | 69 BPM | ||
| Here It Comes | Emeli Sandé, Rick Smith | C Major | 7 | 8B | 100 BPM | ||
| Don't Mention The War | The Divine Comedy | D Major | 3 | 10B | 180 BPM | ||
| Edie | Debbie Wiseman | F Major | 2 | 7B | 78 BPM | ||
| Na mBeannaíochtaí (The Beatitudes II) | Patrick Cassidy | B Major | 3 | 1B | 83 BPM | ||
| Words of Love - Theme | Nick Laird-Clowes | B Minor | 1 | 10A | 118 BPM | ||
| Fields Of Gold (Songbird) | Eva Cassidy | A Major | 1 | 11B | 80 BPM | ||
| Beth's Theme | Ólafur Arnalds | E♭ Minor | 0 | 2A | 168 BPM | ||
| Jesse Walks Home | Jeff Beal | G Major | 3 | 9B | 63 BPM | ||
| Who Was She? | Nico Muhly | G Minor | 1 | 6A | 95 BPM | ||
| Spiegel im Spiegel | Arvo Pärt, Viktoria Mullova, Liam Dunachie, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 84 BPM | ||
| La Boda | Ivan Palomares | D Major | 2 | 10B | 64 BPM |