Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Herta Talmar, Willy Hofmann, Kölner Rundfunkchor, Josef Metternich, Benno Kusche, Herbert Hennies's ' "Gasparone: "Azoletto sang: Komm, mia bella" - "Diese wunderbare Frau" (Sora, Benozzo, Chor, Fremder, Nasoni, Luigi)" was released on its scheduled release date, September 5, 2014. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Anny Schlemm, Josef Metternich's "Millöcker: Gasparone" album is number 21 out of 35. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Gasparone: "Azoletto sang: Komm, mia bella" - "Diese wunderbare Frau" (Sora, Benozzo, Chor, Fremder, Nasoni, Luigi) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gasparone: "Azoletto sang: Komm, mia bella" - "Diese wunderbare Frau" (Sora, Benozzo, Chor, Fremder, Nasoni, Luigi) by Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Herta Talmar, Willy Hofmann, Kölner Rundfunkchor, Josef Metternich, Benno Kusche, Herbert Hennies to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: A lanyok, lanyok, a lanyok angyalok [Feri, Boni, Chorus] | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | D Major | 5 | 10B | 96 BPM | ||
| Der Bettelstudent, Act I: "Du bist die Seine?" | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer | A Major | 4 | 11B | 82 BPM | ||
| Valse de Faust | Franck Pourcel | E Minor | 5 | 9A | 108 BPM | ||
| Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | D Major | 2 | 10B | 93 BPM | ||
| Cosmic Serenade | Astrid Voix | E Minor | 2 | 9A | 148 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Robert Stolz, Rudolf Schock | F Major | 1 | 7B | 76 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| Pegasus-sprünge, Op. 51 (Arr. for Orchestra by Kurt Schmid) | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 155 BPM | ||
| Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten | Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz Mende | E♭ Major | 4 | 5B | 124 BPM | ||
| "Im Prater blühn wieder die Bäume" | Robert Stolz, Fritz Wunderlich, Wiener Staatsopernchor, Vienna Volksoper Orchestra | F Major | 3 | 7B | 80 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
| Der Bettelstudent: Akt I: "Und da soll man noch galant sein" | Carl Millöcker, Siegfried Vogel, Rundfunk-Sinfonieorchester Leipzig, Günther Herbig | E♭ Major | 3 | 5B | 160 BPM | ||
| Der Bettelstudent, Act I: Dialog 4 (Ollendorf, Bronislawa, Laura, Palmatica) | Carl Millöcker, Georg Stern, Maria Madlen Madsen, Betina Brucker, Else Tegetthoff | F♯ Major | 3 | 2B | 113 BPM | ||
| Der Bettelstudent, Act II: Soll ich reden, darf ich schweigen? | Carl Millöcker, Karl Terkal, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke | F Major | 4 | 7B | 100 BPM | ||
| Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
| Macbeth, Act II: Studia il passo, o mio figlio | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Minor | 8 | 7A | 140 BPM | ||
| Malapou-Galopp, Op. 148 | Joseph Lanner, Willi Boskovsky, The Boskovsky Ensemble | F♯ Major | 0 | 2B | 93 BPM | ||
| Melitta (Polka mazurka) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 0 | 8B | 110 BPM | ||
| Bizet: Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre" - "Toréador, en garde !" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Christian Van Horn, Christina Landshamer, Kostas Smoriginas, Magdalena Kožená, Rachel Frenkel, Berliner Philharmoniker | F Major | 2 | 7B | 111 BPM |