"Five Twenty One Equals Eight" by Roscoe Mitchell, Anthony Braxton had its release date on September 15, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 8 in Duets by Roscoe Mitchell, Anthony Braxton. Based on our statistics, Five Twenty One Equals Eight's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Twenty One Equals Eight by Roscoe Mitchell, Anthony Braxton is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Weisheit von Le Comte Lautréamont | Tomasz Stańko, Bobo Stenson, Anders Jormin, Tony Oxley | C Minor | 3 | 5A | 119 BPM | ||
| El Condor Vuelve a Llorar | Flor Huaracina | A♭ Minor | 5 | 1A | 122 BPM | ||
| MDD-3/63D (Opus 23C) | Anthony Braxton | F Major | 4 | 7B | 95 BPM | ||
| No Space Fo Us | Angel Bat Dawid | C Major | 4 | 8B | 108 BPM | ||
| Compositions 1960: Piano Piece for Terry Riley - Arr. for Guitar | La Monte Young, Noël Akchoté | C Major | 5 | 8B | 75 BPM | ||
| West Print | Bobo Stenson Trio | F♯ Minor | 0 | 11A | 171 BPM | ||
| Until dawn comes | Im tae woong | F♯ Minor | 2 | 11A | 108 BPM | ||
| New Dawn | Jeff Coffin, Johnny Vidacovich, James Singleton, Tony Dagradi | A♭ Major | 5 | 4B | 99 BPM | ||
| Ma-ri-nette - Ma-rie Antoi-nette Edit | Sylvain Darrifourcq, Manuel Hermia, Valentin Ceccaldi | D Major | 4 | 10B | 148 BPM | ||
| Enter, Evening (Soft Line Structure) | Cecil Taylor | D♭ Minor | 2 | 12A | 81 BPM | ||
| Wave iv | Knockoutsound4you | A♭ Major | 3 | 4B | 95 BPM | ||
| The Horn | Roscoe Mitchell | B Minor | 2 | 10A | 96 BPM | ||
| The Barbara Song | Gil Evans | F Minor | 1 | 4A | 89 BPM | ||
| Prayer For Jimbo Kwesi | Art Ensemble Of Chicago | D Major | 1 | 10B | 105 BPM | ||
| Tides | Borah Bergman, Roscoe Mitchell | C Major | 7 | 8B | 149 BPM | ||
| II - from Composition/Improvisation 2 | Roscoe Mitchell, The Transatlantic Art Ensemble | C Major | 2 | 8B | 54 BPM | ||
| Invisible | Ornette Coleman | B Minor | 2 | 10A | 123 BPM | ||
| The Sweet Time Suite, Part VI - Consolation | Kenny Wheeler, Norma Winstone, Ray Warleigh | F♯ Minor | 1 | 11A | 112 BPM | ||
| Lonely Woman | Don Cherry, Dewey Redman, Charlie Haden, Ed Blackwell | D Major | 1 | 10B | 81 BPM | ||
| A.M. Mayhem | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Spirit Dance | Michael White | F Major | 4 | 7B | 130 BPM | ||
| Dirge Blues | Mary Lou Williams | G Minor | 0 | 6A | 53 BPM | ||
| Militias | Dave Douglas | A♭ Major | 3 | 4B | 95 BPM | ||
| The Last Stage Of A Long Journey | Eberhard Weber, Colours | E Major | 2 | 12B | 117 BPM | ||
| It Ain't Necessarily So | Sun Ra & His Arkestra | D Minor | 5 | 7A | 111 BPM |