Tiffany Jana, Matthew Freeman's 'Chapter 38 - Overcoming Bias - Building Authentic Relationships across Differences' had a release date set for November 1, 2016. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 65 in the song's album "Overcoming Bias [Building Authentic Relationships across Differences (Unabridged)]". In this album, this song's track order is #38. Furthermore, we believe that the track originated from Germany. Chapter 38 - Overcoming Bias - Building Authentic Relationships across Differences is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 38 - Overcoming Bias - Building Authentic Relationships across Differences by Tiffany Jana, Matthew Freeman having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Track 9 - Sherlock Holmes: Ein leichtes Opfer - Die Abenteuer des jungen Sherlock Holmes, Folge 3 | Arthur Conan Doyle, Eduard Held, Christoph Hackenberg | B Minor | 3 | 10A | 136 BPM | ||
| Kapitel 81 - Da ist was im Busch - Erdmännchen-Krimi, Band 7 | Moritz Matthies, Christoph Maria Herbst | A Major | 2 | 11B | 70 BPM | ||
| Chapter 17 - Erasing Institutional Bias - How to Create Systemic Change for Organizational Inclusion | Tiffany Jana, Ashley Diaz Mejias, Janina Edwards | B Major | 2 | 1B | 126 BPM | ||
| Chapter 24 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A♭ Major | 2 | 4B | 104 BPM | ||
| Chapter 51 - Geronimo Stilton, Book 22: The Secret of Cacklefur Castle | Geronimo Stilton, Bill Lobley | E Minor | 7 | 9A | 118 BPM | ||
| The Art of War - Chapter 11 | Sun Tzu | A♭ Minor | 1 | 1A | 63 BPM | ||
| Chapter 4 - A Scandal in Bohemia | Sherlock Holmes Audiobooks, Sherlock Holmes, Arthur Conan Doyle | B Minor | 3 | 10A | 178 BPM | ||
| Chapter 1.7 - 1984 | George Orwell | B Minor | 1 | 10A | 122 BPM | ||
| Chapter 7 - The Traitor's Game - The Traitor's Game, Book 1 | Jennifer A. Nielsen, Jesse Vilinsky, Michael Curran-Dorsano | B♭ Minor | 1 | 3A | 164 BPM | ||
| Chapter 07 - Wuthering Heights - Audiobook | Emily Brontë, Classic Audiobooks, English Audiobooks | F Minor | 2 | 4A | 87 BPM | ||
| Against His Judgement | Robert Grant | D♭ Major | 1 | 3B | 73 BPM | ||
| Chapter 30 - Overcoming Bias - Building Authentic Relationships across Differences | Tiffany Jana, Matthew Freeman | F♯ Minor | 2 | 11A | 87 BPM | ||
| Chapter 13 - Geronimo Stilton, Book 15: The Mona Mousa Code | Geronimo Stilton, Bill Lobley | A Minor | 3 | 8A | 108 BPM | ||
| Lesson 7c | Kieran Ball | B♭ Major | 1 | 6B | 134 BPM | ||
| Chapter 12 - I Survived the Shark Attacks of 1916 - I Survived 2 | Lauren Tarshis, P.J. Ochlan | C Minor | 3 | 5A | 93 BPM | ||
| Kapitel 6 - Blutige Steine - Commissario Brunetti 14 | Donna Leon, Achim Höppner | D♭ Major | 3 | 3B | 83 BPM | ||
| Chapter 3 - Subtle Acts of Exclusion - How to Understand, Identify, and Stop Microaggressions | Tiffany Jana, Michael Baran, Janina Edwards | A♭ Minor | 2 | 1A | 59 BPM | ||
| Chapter 1 - The Velveteen Rabbit | Margery Williams, Xe Sands | G Minor | 4 | 6A | 100 BPM | ||
| Chapter 9 - Blood Ties - Spirit Animals 3 | Garth Nix, Sean Williams, Nicola Barber | E♭ Major | 2 | 5B | 82 BPM | ||
| Lesson 2b | Kieran Ball | B♭ Minor | 1 | 3A | 100 BPM | ||
| The Cat | Chris Barrie | E Major | 1 | 12B | 108 BPM | ||
| Chapter 1 - The B Corp Handbook, Second Edition - How You Can Use Business as a Force for Good | Ryan Honeyman, Tiffany Jana, Janina Edwards | D♭ Minor | 2 | 12A | 84 BPM | ||
| Chapter 1 - Hunted - Spirit Animals 2 | Maggie Stiefvater, Nicola Barber | A Minor | 2 | 8A | 99 BPM | ||
| Kapitel 3.3 & Kapitel 4.1 - Krankengeschichten vom Franz | Geschichten vom Franz, Christine Nöstlinger | F♯ Minor | 2 | 11A | 84 BPM | ||
| Robin Hood, Pt. 27 | Fairy Tales for Kids, Kids, Fairy Tales | E Minor | 2 | 9A | 117 BPM |