On November 27, 2018, the song "Bahangi Lachkat Jaye" was released by Akshra. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pawan Singh, Akshara, Akshra's "Gunjela Geet Chhathi Mai Ke" album is number 3 out of 3. On top of that, India appears to be the country where this track was created. In terms of popularity, Bahangi Lachkat Jaye is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bahangi Lachkat Jaye by Akshra to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gyansu Lagi Raanso | Manglesh Dangwal, Mukesh Kathait, Janardan Prasad Nautiyal, Birender Singh, Maya Upadhyay, Meena Rana | F♯ Major | 8 | 2B | 106 BPM | ||
| Duniya Ke Mela Me Akela Ho | Pandit Gaurangi Gauri Ji | E♭ Minor | 9 | 2A | 138 BPM | ||
| Aaj Akshar Nu Geet | Divyang Ray, Aaman Trikha | G Minor | 8 | 6A | 140 BPM | ||
| Gori Tohar Kamar Lachkauwa - From "Nirahua Chalal London" | Dinesh Lal Yadav, Indu Sonali | A♭ Major | 10 | 4B | 140 BPM | ||
| Kanhaiya Le Chal Parli Paar - Krishna Bhajan | Anup Jalota | D♭ Major | 9 | 3B | 115 BPM | ||
| Hontho Me Muruli | Pappu Karki | F♯ Major | 8 | 2B | 199 BPM | ||
| Kripa Ki Na Hoti Jo Adat Tumhari | Chitra Vichitra Ji Maharaj | G Minor | 10 | 6A | 155 BPM | ||
| Rumjhum Karta Padharo Bheruji | Vaibhav Bagmar | A♭ Major | 4 | 4B | 130 BPM | ||
| Phool jhare Hansi Gori | Dani Verma, Mahak Ratre | F Major | 6 | 7B | 110 BPM | ||
| Rasili | Alekh Sidar, Kanchan Joshi | F♯ Major | 7 | 2B | 124 BPM | ||
| Jay Ambe Gauri | Dr. Sanjayraj SRG, Tripti Shakya | F♯ Major | 7 | 2B | 95 BPM | ||
| Khatu Ka Toran Dwar - Raj Pareek | Raj Pareek | A♭ Major | 7 | 4B | 94 BPM | ||
| Kono Nariyar | Shivkumar Tiwari | B♭ Minor | 9 | 3A | 109 BPM | ||
| Mujhe Khatu Bula Lijiye | Raj Pareek | C Major | 8 | 8B | 90 BPM | ||
| Anjani Ka Lala | Mayank Agarwal | A♭ Minor | 8 | 1A | 97 BPM | ||
| Maya Ke Maare | Anurag Sharma | C Major | 8 | 8B | 110 BPM | ||
| Aasro Balaji Manne Tharo | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Ganga Mai Ke Paniya | Pawan Singh, Palak | B♭ Major | 10 | 6B | 106 BPM | ||
| Deewana Sanware Ka | Anup Jalota | C Major | 5 | 8B | 97 BPM | ||
| Sawan Mahina Ghata Ghanghor | Mamta Chandrakar, Mithlesh Sahu | F Minor | 4 | 4A | 122 BPM | ||
| Dabe Paon Aiha Nazariya - Female Version | Kalpana Patowary | A Minor | 9 | 8A | 140 BPM | ||
| Kar Dare Bas Ma Re - From "Johar Chhattisgarh" | Sunil soni, Champa Nishad, Suraj Mahanand, DeVendra Jangade | B♭ Minor | 8 | 3A | 98 BPM | ||
| Chimte Di Chankar | Bandna Dhiman | A♭ Major | 10 | 4B | 132 BPM | ||
| Sanwali Surat Pe Mohan Dil Deewana Ho Gaya | Rekha Garg | C Minor | 8 | 5A | 100 BPM | ||
| Nav Din Navraat | Anuj Sharma | F Minor | 9 | 4A | 196 BPM |