Tubby Hayes's 'Fidelius' had a release date set for October 9, 2014. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tubby Hayes's "Jazz After Midnight" album is number 25 out of 71. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Fidelius is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fidelius by Tubby Hayes to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Life's A Little Blue | Booker Little | F Major | 4 | 7B | 50 BPM | ||
| Off the Latch | Gabriel Latchin Trio | F Minor | 5 | 4A | 112 BPM | ||
| Turnaround - Instrumental | Ornette Coleman | C Major | 0 | 8B | 130 BPM | ||
| Semliki Torrent | Tubby Hayes | C Major | 8 | 8B | 109 BPM | ||
| Compulsion - Instrumental | Harold Land Sextet | D♭ Major | 4 | 3B | 131 BPM | ||
| Infatuation | Fats Navarro | F Major | 5 | 7B | 107 BPM | ||
| Wildflower | Ian Wilson | B Major | 4 | 1B | 150 BPM | ||
| I'll Be Around | Lucky Thompson, Tommy Flanagan | C Minor | 2 | 5A | 76 BPM | ||
| The Geek | The Jazz Crusaders | F Major | 7 | 7B | 203 BPM | ||
| Radio Between Stations | Diner Express | D♭ Major | 6 | 3B | 133 BPM | ||
| Close Up | Dizzy Reece | F Minor | 7 | 4A | 78 BPM | ||
| Yardbird Suite | Hampton Hawes, Barney Kessel, Red Mitchell, Shelly Manne | G Major | 3 | 9B | 109 BPM | ||
| After | Vallea | D♭ Major | 2 | 3B | 140 BPM | ||
| Dropout | The Uris Quartet | A♭ Major | 2 | 4B | 114 BPM | ||
| Small Fry | Tommy Watt, Tubby Hayes | E♭ Major | 1 | 5B | 111 BPM | ||
| Long Wharf | Roy Haynes Quartet | F Minor | 4 | 4A | 163 BPM | ||
| Family Joy, Oh Boy !, Pt. 3 | Michael Gibbs | D♭ Major | 6 | 3B | 88 BPM | ||
| Jordu | Tubby Hayes, Tubby Hayes Orchestra | D Major | 5 | 10B | 180 BPM | ||
| Sweet Rain (For Stan Getz), Pt. 1 | Michael Gibbs | F Major | 6 | 7B | 92 BPM | ||
| Latin Blue | The Don Rendell / Ian Carr Quintet | D♭ Major | 3 | 3B | 156 BPM | ||
| Crusts on Monday | Adam Osmianski, Pat Bianchi, Dan Wilson | D♭ Major | 6 | 3B | 133 BPM | ||
| Twelve-Inch | Curtis Fuller Quintet | G Minor | 2 | 6A | 151 BPM | ||
| Fantastic Vehicle (Live) | Ahmad Jamal | A Minor | 5 | 8A | 140 BPM | ||
| All Or Nothing At All | John Coltrane Quartet | G Major | 4 | 9B | 92 BPM | ||
| Ain't It The Truth | Gerry Mulligan Sextet | D♭ Major | 3 | 3B | 210 BPM |