"Interlude" by Chris Potter, DR Big Band had its release date on January 31, 2011. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Transatlantic". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Interlude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Interlude by Chris Potter, DR Big Band having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sponge | L'Equipe Lab | F♯ Major | 7 | 2B | 144 BPM | ||
| Travel to the other side | Enrico Pieranunzi, Aldo Di Caterino ensemble | B Minor | 6 | 10A | 147 BPM | ||
| Tired But Wired | Oz Noy, Chris Potter | A Major | 7 | 11B | 108 BPM | ||
| It Aint Me Babe | Chris Potter | C Major | 3 | 8B | 99 BPM | ||
| More Shadows | Suzan Veneman, Jasper van Damme | A♭ Minor | 2 | 1A | 122 BPM | ||
| Airegin | Scott Colley, Chris Potter | F Minor | 4 | 4A | 98 BPM | ||
| Past, Present & Futures | The Chick Corea New Trio | C Minor | 3 | 5A | 82 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | F Minor | 2 | 4A | 105 BPM | ||
| Up Jumped Spring | Joris Teepe, Chris Potter, David Hazeltine, Don Braden, Bruce Cox | D♭ Minor | 7 | 12A | 104 BPM | ||
| Sweet Yakity Waltz | Kenny Wheeler Legacy, The Royal Academy of Music Jazz Orchestra, Frost Jazz Orchestra, Chris Potter, Norma Winstone, Donovan Haffner, Scottie Thompson | F♯ Major | 4 | 2B | 169 BPM | ||
| AFRIQA | Either/Orchestra | C Minor | 7 | 5A | 118 BPM | ||
| Dreams We Hold | Dave Douglas | F Minor | 2 | 4A | 105 BPM | ||
| Falling Grace | John Scofield, Steve Swallow, Bill Stewart | A♭ Major | 2 | 4B | 108 BPM | ||
| LAST LEAP | Tom Ollendorff | A Minor | 4 | 8A | 94 BPM | ||
| Choctaw Alley | Jesse Davis, Lewis Nash | F Minor | 2 | 4A | 105 BPM | ||
| The Path | Makoto Ozone | A Major | 3 | 11B | 111 BPM | ||
| Laura | Söndörgő, Chris Potter | G Major | 8 | 9B | 145 BPM | ||
| Bobby's Tune | Lage Lund | E Minor | 1 | 9A | 184 BPM | ||
| What Gets You | Andreas Toftemark, Benny Benack III | D♭ Major | 5 | 3B | 116 BPM | ||
| FOMO Fighter | Nils Wülker | F Minor | 2 | 4A | 105 BPM | ||
| Immoveable Matters | Jazzton | E♭ Major | 0 | 5B | 102 BPM | ||
| Ghosts | Mete Erker, Floris Kappeyne, Tijs Klaassen, Wouter Kühne | A♭ Major | 1 | 4B | 77 BPM | ||
| Maiden Voyage | Joey Alexander, Chris Potter | B♭ Major | 3 | 6B | 127 BPM | ||
| Olympus | Simon Moullier | E Major | 5 | 12B | 77 BPM | ||
| Rae Ray | Corcoran Holt, Lewis Nash | F Minor | 2 | 4A | 105 BPM |