"Code Cool" by Patricia Barber had its release date on January 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Smash". In this album, this song's track order is #1. In terms of popularity, Code Cool is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Code Cool by Patricia Barber having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bridge | Slowly Rolling Camera | C Major | 2 | 8B | 95 BPM | ||
| These Foolish Things | Claire Martin | D Major | 2 | 10B | 130 BPM | ||
| I Wait For Late Afternoon And You | Patricia Barber | C Major | 2 | 8B | 65 BPM | ||
| Should've Been - 2007 Abbey sings Abbey Version | Abbey Lincoln | A Minor | 1 | 8A | 173 BPM | ||
| 50 Ways To Leave Your Lover | Sophie Milman | F Minor | 5 | 4A | 89 BPM | ||
| Barangrill | Ian Shaw | G Major | 2 | 9B | 179 BPM | ||
| Broken Bicycles | Rebekka Bakken | A Minor | 3 | 8A | 103 BPM | ||
| Stars | Sara K. | A Major | 3 | 11B | 96 BPM | ||
| Mourning Grace | Patricia Barber | B♭ Minor | 3 | 3A | 105 BPM | ||
| Goodbye Sorrow | Nils Wülker | C Major | 5 | 8B | 134 BPM | ||
| Encoer | Markus Stockhausen | D Minor | 3 | 7A | 125 BPM | ||
| Feeding off the Love of the Land | Ida Sand | A Major | 3 | 11B | 82 BPM | ||
| Fragile | Nils Landgren | G Minor | 2 | 6A | 147 BPM | ||
| Gnossienne No. 4 | Jacques Loussier Trio | D Minor | 0 | 7A | 69 BPM | ||
| Red Passport | We Are Jazz | F♯ Major | 5 | 2B | 99 BPM | ||
| Let's Get It On | Lisa Lovbrand | C Major | 3 | 8B | 171 BPM | ||
| Beyond The Rainbow | Veronica Mortensen | B♭ Minor | 4 | 3A | 87 BPM | ||
| Only Trust Your Heart | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| Black Trombone | Térez Montcalm | B Minor | 3 | 10A | 97 BPM | ||
| Her Absence in the Rhythm | Jazz & Co. | C Minor | 0 | 5A | 79 BPM | ||
| Cover Me With Snow | Rebekka Bakken | D Major | 4 | 10B | 77 BPM | ||
| A Battle Between | Blue Tofu | F♯ Minor | 2 | 11A | 172 BPM | ||
| Yours | Sara Gazarek | G Major | 2 | 9B | 117 BPM | ||
| Little Black Train | Indra Rios-Moore | F Minor | 6 | 4A | 135 BPM | ||
| Nemesis | Aaron Parks | F♯ Major | 6 | 2B | 130 BPM |