"Kidnapping Kilgrave" by Sean Callery had its release date on June 3, 2016. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sean Callery's "Jessica Jones (Original Soundtrack)" album is number 8 out of 23. On top of that, United States appears to be the country where this track was created. Based on our statistics, Kidnapping Kilgrave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kidnapping Kilgrave by Sean Callery to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unknown | Sara Baghirova, Sara Bag | C Minor | 2 | 5A | 77 BPM | ||
| Dead End | Alexandre Desplat | F Major | 0 | 7B | 131 BPM | ||
| Specialized Training | Mark Isham | B♭ Minor | 2 | 3A | 93 BPM | ||
| Terms of Weakness | Federico Jusid | F Major | 1 | 7B | 102 BPM | ||
| Day Break / We Will Rise / End Credits | Trevor Morris | A♭ Major | 8 | 4B | 89 BPM | ||
| Motorcade / Marine One Lands | Trevor Morris | D♭ Major | 4 | 3B | 145 BPM | ||
| Fire Up The Shuttle | Ryan Amon | C Major | 9 | 8B | 95 BPM | ||
| Marshland | David Wingo, Ola Gjeilo | C Minor | 2 | 5A | 119 BPM | ||
| Will and the Robot | Christopher Lennertz | B♭ Minor | 2 | 3A | 90 BPM | ||
| An Empty Chapel | Phill Boucher | C Minor | 1 | 5A | 89 BPM | ||
| San Andreas (Main Theme) | Andrew Lockington | D Minor | 2 | 7A | 70 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Download To Rubik | Adam Peters | G Minor | 2 | 6A | 96 BPM | ||
| Treadmill | Kenan Bauen, Kenap D | D Major | 1 | 10B | 139 BPM | ||
| Childhood Clues | Natalie Holt | C Major | 1 | 8B | 138 BPM | ||
| Lower Away | Roque Baños | C Minor | 4 | 5A | 93 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| 24 Symphonic Suite | Sean Callery | D Minor | 3 | 7A | 124 BPM | ||
| I Never Joke About Money | Kris Bowers | F Major | 1 | 7B | 102 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| The Convoy | Atticus Ross | E Major | 5 | 12B | 107 BPM | ||
| 24 Main Theme | Sean Callery, The City of Prague Philharmonic Orchestra | B♭ Major | 7 | 6B | 167 BPM | ||
| Vision | Farid Puber | D♭ Major | 1 | 3B | 100 BPM | ||
| Evey Reborn | Dario Marianelli | F Minor | 1 | 4A | 80 BPM | ||
| Dudas Infundadas | Valores Especiales | E Minor | 2 | 9A | 88 BPM |