On 1970, the song "Too Far Gone" was released by David Houston. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Too Far Gone's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 20 in After Closing Time by David Houston. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Too Far Gone is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Too Far Gone by David Houston is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tips Of My Fingers | Roy Clark | D Major | 1 | 10B | 89 BPM | ||
| I'll Go To My Grave Loving You | The Statler Brothers | B♭ Major | 4 | 6B | 96 BPM | ||
| Am I That Easy to Forget | Carl Belew | D Major | 3 | 10B | 114 BPM | ||
| Once a Day | Connie Smith | F♯ Major | 4 | 2B | 137 BPM | ||
| My Last Date (With You) | Virginia Lee | F Major | 3 | 7B | 109 BPM | ||
| Laura (What's He Got That I Ain't Got) | Leon Ashley | E♭ Major | 4 | 5B | 173 BPM | ||
| Play Another Slow Song | Johnny Duncan | A Major | 4 | 11B | 88 BPM | ||
| Yes, Mr. Peters | Roy Drusky | C Major | 3 | 8B | 99 BPM | ||
| I Don't Believe I'll Fall in Love Today | Warren Smith | D Major | 4 | 10B | 141 BPM | ||
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| (Margie's At) The Lincoln Park Inn | Bobby Bare | D Major | 3 | 10B | 131 BPM | ||
| Where Love Used to Live | David Houston | D Major | 4 | 10B | 112 BPM | ||
| Somewhere Between Love And Tomorrow | Roy Clark | G Major | 3 | 9B | 82 BPM | ||
| One If for Him, Two If for Me | David Houston | C Major | 3 | 8B | 131 BPM | ||
| How Can It Be Wrong (When It Feels so Right) | Barbara Mandrell, David Houston | C Major | 2 | 8B | 98 BPM | ||
| Teen-Ex | The Browns | B♭ Major | 2 | 6B | 106 BPM | ||
| I Cried All the Way to the Bank | Norma Jean | C Major | 4 | 8B | 130 BPM | ||
| I'm Getting Good at Missing You - Solitaire | Rex Allen, Jr. | E Major | 4 | 12B | 85 BPM | ||
| Send Me the Pillow You Dream On (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | B Major | 3 | 1B | 100 BPM | ||
| Empty Arms | Sonny James | D Major | 3 | 10B | 88 BPM | ||
| Will You Visit Me On Sundays | Charlie Louvin | D Major | 3 | 10B | 106 BPM | ||
| Walk Out Backwards | Bill Anderson | D♭ Major | 5 | 3B | 190 BPM | ||
| Queen of the Silver Dollar | Dave and Sugar | D Major | 4 | 10B | 89 BPM | ||
| Hello, Darlin' | Charlie Rich | C Major | 2 | 8B | 80 BPM | ||
| The Mansion You Stole | Johnny Horton | D Major | 2 | 10B | 92 BPM |