- BPM
- 75
- Key
- D Minor
- Camelot
- 7A
La Dolorosa: Relato de Rafael by Jose Serrano, Luis Antonio García Navarro Song Details
"La Dolorosa: Relato de Rafael" by Jose Serrano, Luis Antonio García Navarro had its release date on May 17, 1991. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 24 Grandes Éxitos de Zarzuela, Vol. 1, so we believe that "La Dolorosa: Relato de Rafael" is a single. La Dolorosa: Relato de Rafael is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of La Dolorosa: Relato de Rafael by Jose Serrano, Luis Antonio García Navarro is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -13.559 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | |
 | Cavalleria rusticana: Duet. Ah! lo vedi – Turiddu, ascolta! | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | |
 | Tosca, Act I: Qual occhio al mondo | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | La Verbena de la Paloma: Preludio | Tomás Bretón, Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | |
 | Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | |
 | La vida breve - original version / Act 1: Vivan los que rien! | Manuel de Falla Matheu, Narciso Yepes, London Symphony Orchestra, Luis Antonio García Navarro, Teresa Berganza, Ambrosian Opera Chorus, John McCarthy, Lucero Tena | D Major | 1 | 10B | 85 BPM | |
 | Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 85 BPM | |
 | Saint-Saëns: Samson et Dalila, Act 2: "Samson, recherchant ma présence...Amour! viens aider ma faiblesse!" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | A♭ Major | 2 | 4B | 83 BPM | |
 | Bizet: Carmen, Act 2: "Vivat! vivat le Toréro!" (Chorus, Zuñiga) | Georges Bizet, Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 3 | 8B | 114 BPM | |
 | Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | |
 | El Huésped del Sevillano: Raquel (Romanza No. 10) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia | A Major | 2 | 11B | 79 BPM | |
 | La Bendita Magdalena - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | B♭ Major | 3 | 6B | 80 BPM | |
 | Carmen, Act I: Scene and Chorus. Sur la place chacun passe | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | |
 | Tosca / Act 2: "Vedi, le man giunte" | Giacomo Puccini, Katia Ricciarelli, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 92 BPM | |
 | Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | E Major | 3 | 12B | 112 BPM | |
 | Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | |
 | Agua | Negro Cherokee, Corral del Gallo, José del Calli, Rafa del Calli, Jose Serrano, Lolo Platón | F♯ Minor | 5 | 11A | 100 BPM | |
 | Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | |
 | La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | |
| La vida breve - original version / Act 2: "Olé! Olé ya!" / "Ay! Yo canto por soleares!" | Manuel de Falla, Narciso Yepes, London Symphony Orchestra, Luis Antonio García Navarro, Manuel Mairena, Ambrosian Opera Chorus, John McCarthy, Lucero Tena | C Major | 1 | 8B | 129 BPM | |
 | Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 0 | 5B | 117 BPM | |
 | Alma de Dios: Canta mendigo errante (Canción Húngara) | Jose Serrano, Pedro Lavirgen, Edmon Colomer | B♭ Major | 4 | 6B | 74 BPM | |
 | Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM | |
 | Bizet: Carmen, WD 31, Act 3: "Notre métier est bon" (Carmen, Don José, Frasquita, Mercédès, Le Dancaïre, Le Remendado, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Les Éléments, Nicolas Rivenq, Roberto Alagna, Yann Beuron, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 79 BPM | |
 | Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM |
- ISRC
- ES5026900264
- Label
- L-M Records/RCA Records