Antonio Caldara, Ramón Vargas's 'Sebben, crudele' had a release date set for October 7, 2002. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Sebben, crudele's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Arie Antiche by Ramón Vargas. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sebben, crudele is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sebben, crudele by Antonio Caldara, Ramón Vargas is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Macbeth, Act I: Witches' Chorus. Che faceste? dite su! - Giorno non vid mai | Giuseppe Verdi, Piero Cappuccilli, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 1 | 3B | 81 BPM | ||
| Die Csárdásfürstin / Act I: "Heia, heia, in den Bergen ist mein Heimatland" | Anna Netrebko, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | D♭ Major | 4 | 3B | 142 BPM | ||
| Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
| Tannhäuser: Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 168 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: Solveig's Song. "Kanske vil der gå både Vinter og Vår" (Solveig) | Edvard Grieg, Elsa Dreisig, Massimo Zanetti, Orchestra del Teatro Carlo Felice di Genova | C Major | 2 | 8B | 93 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Vittoria, mio core! | Giacomo Carissimi, Ramón Vargas | D Major | 2 | 10B | 86 BPM | ||
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Benjamin Gilbert, Oliver Barlow, Sam Jackman | E♭ Major | 0 | 5B | 100 BPM | ||
| Ich stand in dunklen Träumen | PianoConVoce | C Major | 0 | 8B | 119 BPM | ||
| La traviata / Act II: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
| Il Barbiere di Siviglia (1996 Digital Remaster): Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 1 | 8B | 116 BPM | ||
| Che fiero costume | Giovanni Legrenzi, Holly Bewlay, Sarah Rhee | G Minor | 1 | 6A | 107 BPM | ||
| Le nozze di Figaro, K.492 / Act 3: ("Sull'aria...") - "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Dawn Upshaw, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 64 BPM | ||
| Maddalena ai piedi di Cristo: No. 45 Aria Fariseo "Chi drizzar di pianta adulta" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Ulrich Messthaler | A♭ Minor | 3 | 1A | 85 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
| Pur ti miro | Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers | F♯ Major | 0 | 2B | 72 BPM | ||
| La traviata / Act 1: "Libiamo ne'lieti calici" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus | B♭ Major | 2 | 6B | 116 BPM | ||
| The Marriage Of Figaro: Act II - "Voi Che Sapete" | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM | ||
| Sebben crudele mi fai languir' | Antonio Caldara, Cecilia Bartoli, György Fischer | C Major | 0 | 8B | 97 BPM | ||
| Ecco quel fiero istante, K. 436 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Berlin Philharmonic Wind Ensemble | F Major | 1 | 7B | 76 BPM | ||
| Maddalena ai piedi di Cristo: No. 20 Aria Amor Terreno, Amor Celeste "Il sentier ch'ora tu prendi" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink, Andreas Scholl | E♭ Major | 1 | 5B | 76 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM |