Bangalore Latha, Chorus, M. Ranga Rao, Udayaraj's 'Om Satyma Om Shivam' had a release date set for May 30, 2021. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 3 in the song's album "Prema Taranga". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Om Satyma Om Shivam's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Om Satyma Om Shivam by Bangalore Latha, Chorus, M. Ranga Rao, Udayaraj having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Are Emiti Lokam | L. R. Eswari | B♭ Major | 9 | 6B | 178 BPM | ||
| Malenaada Mele Mugila Maale | Ramesh, Swarnalatha, Hamsalekha | A Major | 4 | 11B | 118 BPM | ||
| Suryangu Chandrangu | K. S. L. Swamy | E♭ Major | 5 | 5B | 100 BPM | ||
| Alli Idey Nam Mane | Vidyabhushana | E Minor | 8 | 9A | 96 BPM | ||
| Mogga Moggalli | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | B Minor | 5 | 10A | 81 BPM | ||
| Yaaru Enu Thiladarenu | Dr. Rajkumar | E Minor | 5 | 9A | 170 BPM | ||
| Kanasalli Bandavanare | S. Janaki, T.G. Lingappa, Chi. Udayashankar | C Major | 5 | 8B | 145 BPM | ||
| Savi Nenapugalu Beku | Vani Jairam | D Minor | 3 | 7A | 90 BPM | ||
| Omkara | Lakshmi Nataraj | E Minor | 7 | 9A | 96 BPM | ||
| Title Music (Srinivasa Kalyana) - Srinivasa Kalyana / Soundtrack Version | Various Artists | A♭ Major | 3 | 4B | 121 BPM | ||
| Kaanadanthe Mayavadanu | Mst. Puneeth | D Major | 6 | 10B | 63 BPM | ||
| Ganapathi Ganapathi | Ratnamala Prakash | D Major | 7 | 10B | 115 BPM | ||
| ADHARAM MADHURAM | S. P. Balasubrahmanyam, Vani Jairam | D♭ Major | 8 | 3B | 90 BPM | ||
| Naa Donkadarenu Naama | Vidyabhushana | G Major | 7 | 9B | 169 BPM | ||
| Gundegadhi Khaali | S. P. Sailaja, N.Rajeswara Rao | G Minor | 8 | 6A | 142 BPM | ||
| Nesara Nodu | Sulochana | C Major | 2 | 8B | 112 BPM | ||
| O Mallige | Ramesh Chandra, V. Manohar | D Minor | 7 | 7A | 140 BPM | ||
| Ellarigu Endendu | Bangalore Latha | A Major | 5 | 11B | 121 BPM | ||
| Honganasu | Musuri Krishnamurthy, Bangalore Latha | E Minor | 5 | 9A | 98 BPM | ||
| Huduga Elli Neenu | Nanditha | A Major | 5 | 11B | 98 BPM | ||
| Mandara Pushpavu Neenu | P. Jayachandran, S. P. Sailaja | B♭ Minor | 7 | 3A | 123 BPM | ||
| Preethi Maaye Hushaaru | Hemanth Kumar, Aakansha Baadami, Ranganath | D Minor | 8 | 7A | 132 BPM | ||
| Ee Sogasaada Sanje | Dr. Rajkumar, Vani Jairam, Upendra Kumar, K.V. Reddy | F♯ Minor | 8 | 11A | 95 BPM | ||
| Sharanu Sharanamma | Puttur Narasimha Nayak, B. R. Chaya | B Major | 5 | 1B | 148 BPM | ||
| Ishtu Kaala | S. Sunitha, Chandrashekar, H. S. Venkateshamurthy | F Major | 5 | 7B | 150 BPM |