Ilan Rechtman, Lara St. John's ' "Variations on Dark Eyes" was released on its scheduled release date, September 30, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lara St. John, Ilan Rechtman's "Gypsy" album is number 2 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Variations on Dark Eyes is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Variations on Dark Eyes by Ilan Rechtman, Lara St. John to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seitz: Schüler-Konzert No. 2, Op. 13: II. Adagio | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 1 | 10A | 79 BPM | ||
| Chaminade / Arr Kreisler: Sérénade espagnole | Cécile Chaminade, Itzhak Perlman | D Major | 2 | 10B | 101 BPM | ||
| Piano Sonata No. 11 in A, K.331 -"Alla Turca" - Arr. Martynas & Haywood: Rondo Alla Turca | Martynas | E Minor | 5 | 9A | 76 BPM | ||
| Romanian Folk Dances, Sz.56: IV. Molto moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | F Minor | 1 | 4A | 69 BPM | ||
| Ochi Chornyje | Traditional, Lakatos | A Minor | 3 | 8A | 91 BPM | ||
| Romance, Op. 3 | Reinhold Glière, Mela Tenenbaum, Richard Kapp | D Major | 1 | 10B | 171 BPM | ||
| Masquerade - Ballet Suite: Nocturne | Aram Khachaturian, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 83 BPM | ||
| Le roi des aulnes, Op. 26: Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) [After Schubert's Erlkönig] | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM | ||
| Nin: 20 Cantos Populares Españoles: No. 6, Granadina, Chant D'Espagne Pour Violoncelle Et Piano (Arr. Kochanski for Cello and Piano) | Joaquin Nin, Paul Tortelier, John Newmark | D Major | 1 | 10B | 84 BPM | ||
| From the Bohemian Forest, Op. 68: No. 5, Waldesruhe (Version for Cello and Orchestra) | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | A♭ Major | 1 | 4B | 69 BPM | ||
| Legende, Op. 17: Andante - Allegro moderato - Tempo I | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | G Minor | 1 | 6A | 75 BPM | ||
| Salut d'Amour | HAUSER, London Symphony Orchestra | A♭ Major | 1 | 4B | 69 BPM | ||
| Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | E♭ Major | 0 | 5B | 136 BPM | ||
| Jazzicals: No. 2, Tempo giusto | Ilan Rechtman, Sharon Kam, Ori Kam, Matan Porat | E♭ Major | 1 | 5B | 107 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance | Erich Wolfgang Korngold, Jascha Heifetz, Los Angeles Philharmonic, Alfred Wallenstein | G Major | 3 | 9B | 102 BPM | ||
| Tchaikovsky: Melodia Op.42 n.3 | Stefano Ligoratti & Yulia Berinskaya | E♭ Major | 1 | 5B | 179 BPM | ||
| Brahms / Arr. Joachim for Violin and PIano: 21 Hungarian Dances, WoO 1: No. 5 in G Minor | Johannes Brahms, Maxim Vengerov, Mikhail Parhamovsky | G Minor | 2 | 6A | 146 BPM | ||
| 伝説曲 作品17 | ヘンリ・ヴィエニャフスキ, Keisuke Okazaki, イリーナ・メジューエワ | G Minor | 1 | 6A | 93 BPM | ||
| 12 Deutsche Ländler D. 145, Op. 18: No. 6 (Arr. for Violin and Piano by Maya Magub) | Franz Schubert, Maya Magub, Matthew Schellhorn | B Major | 0 | 1B | 97 BPM | ||
| Havanaise, Op. 83: III. Allegro ma non troppo - 2020 Remastered Version | Camille Saint-Saëns, Zino Francescatti, William Smith, Columbia Symphony Orchestra | E♭ Major | 4 | 5B | 113 BPM | ||
| Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | ||
| Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
| Lerche | Puszta Company | D♭ Minor | 4 | 12A | 97 BPM | ||
| Quartet No.3 The Way of 1000 and One Comet: Allegretto, The Sky Seen from the Moon | Ezio Bosso, Turin String Quartet | A Minor | 2 | 8A | 104 BPM | ||
| Emily — No Prisoner Be: No. 9, I Felt a Funeral | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 1 | 4B | 69 BPM |