"Escape" by Craig Armstrong had its release date on January 1, 1999. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Plunkett And Macleane". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Escape's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Escape by Craig Armstrong having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waiting Between Worlds (Instrumental) | Zack Hemsey | F Major | 5 | 7B | 137 BPM | ||
| Terminator Theme (From "Terminator 2 Judgement Day") | Peter Roe | A Minor | 5 | 8A | 50 BPM | ||
| Strobe (Tyler Barton Remix) | John Murphy | G Major | 7 | 9B | 120 BPM | ||
| Together or Not at All - The Song of Amy and Rory | Murray Gold | C Major | 0 | 8B | 80 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Journey to Glory | Trailerhead | F Minor | 7 | 4A | 84 BPM | ||
| Terminator - Theme | Super Heros Invasion | D Major | 4 | 10B | 136 BPM | ||
| Lepcis Magna | E.S. Posthumus | A♭ Major | 7 | 4B | 180 BPM | ||
| Sarabande Suite - Aeternae | Globus | F Minor | 7 | 4A | 84 BPM | ||
| Conviction | Full Tilt | B♭ Minor | 9 | 3A | 80 BPM | ||
| I Am The Doctor | Murray Gold | B Major | 2 | 1B | 61 BPM | ||
| Eloi | Klaus Badelt | B Minor | 1 | 10A | 91 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Nara (Theme to Cold Case) | E.S. Posthumus | A Minor | 4 | 8A | 150 BPM | ||
| Lightning Strikes | Rupert Gregson-Williams | D Major | 4 | 10B | 94 BPM | ||
| Titan Dream | Nick Phoenix, Two Steps from Hell | D♭ Major | 5 | 3B | 97 BPM | ||
| They Hit Without Warning | Epic Score | D Major | 5 | 10B | 90 BPM | ||
| Terminator: Main Theme | M.S. | A♭ Major | 7 | 4B | 82 BPM | ||
| Infinite Legends (No Choir) | Two Steps from Hell, Nick Phoenix | D Minor | 9 | 7A | 110 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| New Beginnings | Future World Music | C Major | 8 | 8B | 120 BPM | ||
| Minstrel Boy | Joe Strummer, The Mescaleros | G Major | 7 | 9B | 174 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| Elysium - From "Gladiator" Soundtrack | Klaus Badelt, Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra | A Major | 1 | 11B | 88 BPM |