George Chakiris's ' "Fragments" was released on its scheduled release date, 1980. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 2 in Carte postale by George Chakiris. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Fragments's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Fragments by George Chakiris is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Wanna Be Loved By You | Marilyn Monroe (performer) | F Major | 3 | 7B | 130 BPM | ||
| 1776: Sit Down, John | Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard | A♭ Major | 4 | 4B | 98 BPM | ||
| Life Could Not Better Be - Pop Version | Danny Kaye | E♭ Major | 4 | 5B | 80 BPM | ||
| 1776: But, Mr. Adams | Sherman Edwards, William Daniels, Rex Everhart, David Vosburgh, Henry Le Clair, Ken Howard, Peter Howard | F Major | 3 | 7B | 128 BPM | ||
| Streetcar | Alex North, Ray Heindorf | A♭ Major | 0 | 4B | 86 BPM | ||
| My One and Only | George Chakiris | G Major | 1 | 9B | 64 BPM | ||
| You Are Woman, I Am Man | Barbra Streisand, Omar Sharif | A Major | 1 | 11B | 130 BPM | ||
| Mame: Mame | Jerry Herman, Charles Braswell, Mame Ensemble, Mame (Original Broadway Cast), Original Broadway Cast of Mame, Donald Pippin | F Minor | 6 | 4A | 127 BPM | ||
| Cool | Ansel Elgort, Mike Faist | B♭ Minor | 2 | 3A | 89 BPM | ||
| Singin' in the Rain (Title) | Gene Kelly, Debbie Reynolds, Donald O'Connor, MGM Studio Orchestra | C Minor | 2 | 5A | 122 BPM | ||
| One | A Chorus Line Ensemble (2006) | G Minor | 4 | 6A | 132 BPM | ||
| An Ordinary Couple | Mark Hellinger Theatre Orchestra, Frederick Dvonch, Mark Hellinger Theatre Cast Ensemble, Mary Martin, Theodore Bikel | G Major | 1 | 9B | 170 BPM | ||
| A Million Miles Away Behind The Door | Jean Seberg | B♭ Major | 1 | 6B | 83 BPM | ||
| I Wanna Be a Dancin' Man | Fosse Ensemble | D♭ Major | 1 | 3B | 120 BPM | ||
| Shy | Carol Burnett | D Major | 2 | 10B | 140 BPM | ||
| Fit As a Fiddle | Gene Kelly, Donald O'Connor, MGM Studio Orchestra | C Minor | 2 | 5A | 122 BPM | ||
| Camelot: Overture | Frederick Loewe, The Camelot Orchestra, Franz Allers, Original Broadway Cast of Camelot | E Minor | 3 | 9A | 75 BPM | ||
| The Oldest Established Floating Crap Game in New York | Frank Sinatra (performer), Johnny Silver (performer), Stubby Kaye (performer) | G Major | 3 | 9B | 67 BPM | ||
| The Telephone Hour | Bobby Rydell, Bye Bye Birdie Ensemble | G Major | 6 | 9B | 127 BPM | ||
| Fugue for Tinhorns | Walter Bobbie, J.K. Simmons, Timothy Shew | A♭ Major | 2 | 4B | 82 BPM | ||
| Long as I'm Here with You | Sheryl Lee Ralph, Thoroughly Modern Millie Ensemble, Original Broadway Cast of Thoroughly Modern Millie | D Major | 5 | 10B | 111 BPM | ||
| When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
| You're Getting to Be a Habit with Me | Tammy Grimes, Lee Roy Reams, Wanda Richert, 42nd Street Ensemble | A♭ Minor | 1 | 1A | 67 BPM | ||
| People Will Say We're in Love (Excerpts From "Oklahoma!") | Gordon MacRae | A♭ Major | 3 | 4B | 134 BPM | ||
| Where Is The Life That Late I Led? | Broadway Cast Recording | F Major | 4 | 7B | 76 BPM |