"The Touch Of Your Lips" by Sarah Vaughan had its release date on January 1, 1956. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Touch Of Your Lips's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 12 in At The Blue Note by Sarah Vaughan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Touch Of Your Lips is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Touch Of Your Lips by Sarah Vaughan is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bye Bye Blackbird | Etta Jones | C Minor | 3 | 5A | 126 BPM | ||
| What A Diff'rence A Day Made | Dinah Washington | C Major | 1 | 8B | 94 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| If You Could See Me Now | Sarah Vaughan, Count Basie Orchestra | A♭ Major | 2 | 4B | 142 BPM | ||
| A Cigarette and a Silhouette | Mildred Bailey | F Major | 2 | 7B | 102 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| When Sunny Gets Blue | McCoy Tyner | D Minor | 1 | 7A | 60 BPM | ||
| Beautiful Love | Anita O'Day | F Minor | 2 | 4A | 83 BPM | ||
| I've Heard That Song Before | Harry James | F Major | 4 | 7B | 126 BPM | ||
| I Get A Kick Out Of You | Dinah Washington | F Minor | 3 | 4A | 135 BPM | ||
| Autumn Leaves | Sarah Vaughan | B Minor | 1 | 10A | 70 BPM | ||
| You've Changed | Billie Holiday | C Minor | 3 | 5A | 94 BPM | ||
| Something To Remember You By | Irene Kral | C Major | 3 | 8B | 137 BPM | ||
| I've Grown Accustomed To Your Face | Dorothy Dandridge | E♭ Major | 2 | 5B | 87 BPM | ||
| When Day Is Done | Coleman Hawkins | C Major | 1 | 8B | 88 BPM | ||
| Let There Be Love | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 2 | 4B | 119 BPM | ||
| Yes Sir, That's My Baby | Etta Jones | A♭ Major | 4 | 4B | 147 BPM | ||
| 'Round Midnight | Betty Carter | B♭ Minor | 1 | 3A | 51 BPM | ||
| You Go To My Head | Billie Holiday | A♭ Major | 1 | 4B | 68 BPM | ||
| Save Your Love For Me | Nancy Wilson, Cannonball Adderley | E Minor | 0 | 9A | 174 BPM | ||
| The Song Is You | Dakota Staton | D Major | 5 | 10B | 132 BPM | ||
| You'd Be So Nice To Come Home To | Coleman Hawkins, Ben Webster | A Minor | 2 | 8A | 80 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| Monday Again | Nat King Cole Trio | D Minor | 0 | 7A | 68 BPM | ||
| Did I Remember | Catherine Russell | A♭ Major | 3 | 4B | 121 BPM |