Kumar Vishwas's ' "KV In Kuwait" was released on its scheduled release date, January 5, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kumar Vishwas's "KV Musical" album is number 14 out of 17. On top of that, India appears to be the country where this track was created. KV In Kuwait is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of KV In Kuwait by Kumar Vishwas to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aisa HI Hota Hai | Kumar Vishwas | A Minor | 7 | 8A | 133 BPM | ||
| Sharda Maiya Tero Jhulna | Pooja Golhani | G Major | 7 | 9B | 100 BPM | ||
| Jab Jab Danka | Subhash Soni | B Major | 8 | 1B | 117 BPM | ||
| Brij Ko Tore Na Chhodungi Ab Main | Priya Gulati | D Minor | 6 | 7A | 108 BPM | ||
| Shree Natraja Stuti | Pujya Bhaishree Rameshbhai Ojha | A♭ Minor | 6 | 1A | 136 BPM | ||
| Sawariya Le Chal Parli Paar | Dhruv Sharma, Swarna Shri | D♭ Minor | 3 | 12A | 200 BPM | ||
| Baanke Bihari Tere Nayna Kajraare | Bhaiya Krishan Das Ji | A♭ Major | 8 | 4B | 82 BPM | ||
| Mahadev (Mashup) | Govind Krsna Das | G Minor | 8 | 6A | 115 BPM | ||
| Nagri Ho Ayodhya Si | Vidhi Sharma | D Minor | 7 | 7A | 76 BPM | ||
| Bhole Aaya Tere Dwar | Sunny Albela | C Major | 6 | 8B | 107 BPM | ||
| Gopal Muraliya Wale | Vinod Agarwal Ji | D♭ Major | 5 | 3B | 82 BPM | ||
| Krishna teri murli Te bhala kon ni nachda - Ragi singh ji | Sachharab | F♯ Major | 9 | 2B | 98 BPM | ||
| Shivji Ki Aarti | Nikhil Singh | D Major | 1 | 10B | 66 BPM | ||
| Hey Mahaveer - Slowed + Reverb | Lovenish Khatri | B Minor | 5 | 10A | 75 BPM | ||
| He ri mai to prem deewani | Ayodhyadas Nimavat | A♭ Minor | 7 | 1A | 175 BPM | ||
| Pichham Dharasu Mhara (Shringarik Aarti) | Gopal Bajaj | A♭ Major | 4 | 4B | 93 BPM | ||
| Tere Dar Ko Main Chhod Kahaan Jaun | Ram Kumar Lakkha | C Minor | 9 | 5A | 95 BPM | ||
| Dukh Mein Sumiran Sab Kare | Satyendra Pathak | A♭ Minor | 7 | 1A | 97 BPM | ||
| Thak Sa Gaya Hoon Main Baba | Ayush Somani | D♭ Minor | 3 | 12A | 85 BPM | ||
| Jo Tum Aa Jate | Kumar Vishwas | C Major | 4 | 8B | 81 BPM | ||
| Sakhi Ri Banke Bihari Se | Nikunj Kamra | A♭ Major | 1 | 4B | 89 BPM | ||
| Ab Sop Diya Is Jeevan Ka | Jaswant Singh | B♭ Minor | 7 | 3A | 94 BPM | ||
| Rachae Shrishti Ko Jis Prabhu Ne | Dhiraj Kant | D♭ Major | 7 | 3B | 119 BPM | ||
| Taro re Bharoso Amane Bhari | NARAYANSWAMI | F Major | 6 | 7B | 123 BPM | ||
| Phir Meri Yaad Aa Rahi Hogi | Kumar Vishwas | A♭ Minor | 2 | 1A | 84 BPM |