"Potage" by Brian Reitzell had its release date on August 5, 2014. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Brian Reitzell's "Hannibal Season 1 Volume 1 (Original Television Soundtrack)" album is number 3 out of 7. On top of that, United States appears to be the country where this track was created. Potage is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Potage by Brian Reitzell to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancient Amulet | Alphaxone, XERXES THE DARK | D Major | 1 | 10B | 59 BPM | ||
| Clue One | Trent Reznor and Atticus Ross | G Major | 1 | 9B | 119 BPM | ||
| Creature Called Human | Dark Matter | D Major | 6 | 10B | 127 BPM | ||
| Clandestine | Apocryphos | D Major | 2 | 10B | 136 BPM | ||
| Dream House | Mushroomer | A♭ Major | 0 | 4B | 135 BPM | ||
| Railroom | Cities Last Broadcast | D♭ Major | 5 | 3B | 134 BPM | ||
| Bridge to London | Olivier Deriviere | A♭ Minor | 3 | 1A | 130 BPM | ||
| Oscar Strikes Back | Johan Söderqvist | B Minor | 2 | 10A | 78 BPM | ||
| Blair Witch | Adam Wingard | F Major | 3 | 7B | 161 BPM | ||
| Shiizakana | Brian Reitzell | B♭ Major | 2 | 6B | 92 BPM | ||
| The Antler Queen Rises | Craig Wedren, Anna Waronker | D♭ Major | 3 | 3B | 83 BPM | ||
| Ambient Threat | Atanas Valkov | F Minor | 1 | 4A | 81 BPM | ||
| I Can See the End | Lovett | A♭ Major | 2 | 4B | 66 BPM | ||
| Unveiling the Ancients | Coltrin Compositions | F Minor | 3 | 4A | 86 BPM | ||
| Get Us to the Front of the Line | Cliff Martinez | F♯ Minor | 1 | 11A | 100 BPM | ||
| Down, Here | Halgrath | F♯ Minor | 2 | 11A | 69 BPM | ||
| Murder / Mermaid / Heavy Labour | Mark Korven | C Major | 1 | 8B | 72 BPM | ||
| The Entrance | Coltrin Compositions | D♭ Minor | 3 | 12A | 90 BPM | ||
| Tell the Parole Board | Jason Hill | G Minor | 0 | 6A | 72 BPM | ||
| Where Are You? | Ryan Holladay, Hays Holladay, Zach Cregger | C Major | 0 | 8B | 222 BPM | ||
| Claudia | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| The Wrath of the Lamb Pt. 2 / Bach Aria Pt. 2 | Brian Reitzell | G Major | 1 | 9B | 93 BPM | ||
| Blood and Sword | jung jaeil | C Major | 2 | 8B | 83 BPM | ||
| Higher | Bruno Alerander | E Minor | 1 | 9A | 143 BPM | ||
| Legion | Lexi Storm | F Major | 2 | 7B | 60 BPM |