Kumar Vishwas's ' "Live In Concert Kent" was released on its scheduled release date, January 5, 2019. This song appears to be safe for all ages as it is not explicit. The track order of this song in Kumar Vishwas's "KV Musical" album is number 17 out of 17. On top of that, India appears to be the country where this track was created. Live In Concert Kent is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Live In Concert Kent by Kumar Vishwas to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Aayenge | Muzic Mantra | A Minor | 8 | 8A | 93 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Kanha Ab Toh Murli Ki Madhur Suna Do | Vidhi Sharma | D Minor | 7 | 7A | 76 BPM | ||
| Shankar Choura Re | Shahnaaz Akhtar | E♭ Minor | 7 | 2A | 116 BPM | ||
| Vrindavan Pyaro Vrindavan | Ripudaman Joshi | A♭ Minor | 6 | 1A | 105 BPM | ||
| Hey Gurudev Pranam Aapke Charno Mein | Isha Sharma | D♭ Major | 4 | 3B | 81 BPM | ||
| Mere Tan Me Ram | Madhav Sharma | F Minor | 5 | 4A | 85 BPM | ||
| Murlidhar Mohan | Nikhil Verma | A♭ Minor | 4 | 1A | 148 BPM | ||
| Tum Na Sunoge to Kaun Sunega | Shelly Khatri Taluja | F♯ Major | 2 | 2B | 140 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Baba Rasika Pagal | E♭ Major | 6 | 5B | 101 BPM | ||
| Subah Sawere Leke Tera Naam Prabhu | Isha, Muskan, Shital, Annu, Manisha | A♭ Minor | 6 | 1A | 121 BPM | ||
| Tum Dhondho Mujhe Gopal | Jagjit Singh | E♭ Minor | 6 | 2A | 98 BPM | ||
| Jagat Ke Rang Kya Dekhoon | Shailendra Bharti, Kavita Raam | A♭ Major | 4 | 4B | 172 BPM | ||
| Mai Teri Chunariya Lahraye | Rajeev Singh | E Major | 7 | 12B | 145 BPM | ||
| Maa Baap Ko Mat Bhoolna | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Chayawanprash Hi Aasan Hai | Kumar Vishwas | G Minor | 5 | 6A | 170 BPM | ||
| He Manwa Re | Mahendra Kapoor, Kalyanji-Anandji | F♯ Minor | 4 | 11A | 80 BPM | ||
| Khatu Shyam Tera Naam | Roshan Prince | D Major | 9 | 10B | 120 BPM | ||
| Ab Sop Diya Is Jeevan Ka Sab Bhar Tumhare Hathon Mein | Padma Jha | D♭ Major | 5 | 3B | 95 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Govind Radhe Radhe Shyam Gopal Radhe | Premanand Maharaj | F♯ Major | 4 | 2B | 108 BPM | ||
| Deva Ho Deva Ganpati Deva | Manish Tiwari | A♭ Major | 6 | 4B | 148 BPM | ||
| Radha Rani Hamari | Govind Vithani | D♭ Major | 3 | 3B | 133 BPM | ||
| Jiski Naiya Sambhale Kanhaiya | Ripudaman Joshi | E Minor | 2 | 9A | 125 BPM |