Jon Appleton's 'Sonata for Cello and Piano: III.' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Sonata for Cello and Piano: III.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The Russian Music". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Sonata for Cello and Piano: III. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Cello and Piano: III. by Jon Appleton having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stravinsky: Excerpts From The Firebird | Alice Coltrane, Igor Stravinsky | C Major | 2 | 8B | 62 BPM | ||
| Ka-Cho-Fu-Getsu | Yasuaki Shimizu | F Minor | 3 | 4A | 81 BPM | ||
| Etudes Instrumentales: b) Flute Mexicaine | Pierre Schaeffer | A♭ Major | 4 | 4B | 100 BPM | ||
| 24 Track Loop | This Heat | C Major | 8 | 8B | 135 BPM | ||
| Glass c/w Steel | Fred Frith | D Major | 4 | 10B | 61 BPM | ||
| Conexión | KJMV9 | A♭ Minor | 0 | 1A | 70 BPM | ||
| Fische | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | F Minor | 1 | 4A | 114 BPM | ||
| Wrinkle | Satoshi Ashikawa | A Minor | 1 | 8A | 82 BPM | ||
| Placelessness 2.5 | Chris Abrahams, Oren Ambarchi, Robbie Avenaim | D Major | 2 | 10B | 112 BPM | ||
| Eleven Intrusions I: Study on Olympos' Pentatonic | Harry Partch, Betty Johnston, Donald Pippin, Bill Snead, Ben Johnston | E♭ Major | 2 | 5B | 100 BPM | ||
| The Helper | Lily Jimeth | A♭ Major | 2 | 4B | 102 BPM | ||
| The Last Hurrah | Ari Balouzian | G Minor | 1 | 6A | 151 BPM | ||
| After Glow | Nadi Qamar | D♭ Major | 4 | 3B | 166 BPM | ||
| Serene 1 | Sam Gendel, Josiah Steinbrick | A♭ Major | 1 | 4B | 140 BPM | ||
| Wire Recorder Piece | Halim El-Dabh | B♭ Minor | 4 | 3A | 126 BPM | ||
| limoktwok | ROADKILL | C Major | 2 | 8B | 112 BPM | ||
| Vom Baum Im Hof | Brannten Schnüre | A Minor | 2 | 8A | 83 BPM | ||
| The Sea Incertain | Gastr Del Sol | A Major | 1 | 11B | 97 BPM | ||
| Bridgestone 3 | Yasuaki Shimizu | G Major | 4 | 9B | 121 BPM | ||
| 8 Fish Eyes | The Chitinous Ensemble | F Major | 3 | 7B | 137 BPM | ||
| Empathy | Zakkaro Damo B | A Major | 1 | 11B | 128 BPM | ||
| Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| On Opposite Sides of Sleep | Lea Bertucci | B♭ Major | 2 | 6B | 86 BPM | ||
| Fukuro No Yume | Susumu Yokota | C Major | 3 | 8B | 119 BPM |