Jonathan Maud's ' "Crying All the Time" was released on its scheduled release date, October 31, 2025. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 10 in Always Been Good to Me by Jonathan Maud. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Crying All the Time is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Crying All the Time by Jonathan Maud is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wedding Bells | Buddy Miller, Richard Thompson | G Major | 4 | 9B | 121 BPM | ||
| Kiss of Death | The Last River Bottomed Fig Plucker | A Major | 1 | 11B | 101 BPM | ||
| Poison | Grayson Capps | D Major | 7 | 10B | 117 BPM | ||
| Buzz Fledderjohn | John Hammond | E Minor | 3 | 9A | 102 BPM | ||
| Crimson Ink | Stephen Mojo | G Minor | 9 | 6A | 143 BPM | ||
| Knob & Tube | Colin Linden | C Major | 7 | 8B | 125 BPM | ||
| Surrendered | Brandon Bart | F Minor | 6 | 4A | 80 BPM | ||
| Dance Floor - Nashville Version | Blue & Bright | F♯ Major | 7 | 2B | 142 BPM | ||
| Sad Memories | Polo Bush | B Minor | 2 | 10A | 121 BPM | ||
| Hope | Lonewolf Country | A Major | 7 | 11B | 152 BPM | ||
| By the Water | Seth Walker | G Major | 2 | 9B | 110 BPM | ||
| Smalltown Blues | Ruthie Foster | E Major | 7 | 12B | 202 BPM | ||
| Middle Aged Blues Boogie | Saffire-The Uppity Blues Women | G Major | 4 | 9B | 126 BPM | ||
| No I | marco serri | C Major | 5 | 8B | 84 BPM | ||
| God's good love | Steve Ricky Moore | E Major | 6 | 12B | 119 BPM | ||
| Angelina | Keb' Mo' | A Major | 5 | 11B | 190 BPM | ||
| Shake a Hand | Jimmie Vaughan | F Major | 7 | 7B | 105 BPM | ||
| Blue Suede Shoes | Ry Cooder | G Major | 5 | 9B | 91 BPM | ||
| Everything will change | Malcolm Washington | E Major | 3 | 12B | 106 BPM | ||
| Crapped Out Again | Keb' Mo' | E Major | 4 | 12B | 202 BPM | ||
| Train to Birmingham | John Hiatt | G Major | 7 | 9B | 156 BPM | ||
| Grave’s Cold Call | Gentlemen Dark Delta Blues | F Minor | 3 | 4A | 85 BPM | ||
| The Heavenly Hound (feat. Charlie Sexton) | Matt Munhall, Charlie Sexton | F Minor | 9 | 4A | 121 BPM | ||
| all the time | stephen moore | E Minor | 1 | 9A | 112 BPM | ||
| Time cycles | Malcolm Washington | F♯ Major | 2 | 2B | 199 BPM |