William Fitzsimmons's 'When I Come Home' had a release date set for January 1, 2005. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Until When We Are Ghosts". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, When I Come Home's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With When I Come Home by William Fitzsimmons having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Different Gray | Horse Feathers | A Minor | 1 | 8A | 112 BPM | ||
| Save Your Day | José González | D Major | 2 | 10B | 99 BPM | ||
| Lunacy | Rue Royale | D♭ Major | 5 | 3B | 152 BPM | ||
| Heartless | William Fitzsimmons | B Minor | 4 | 10A | 151 BPM | ||
| Ah-La Song | Joe Purdy | E♭ Major | 2 | 5B | 121 BPM | ||
| Smallest Wingless | Craig Cardiff | G Major | 2 | 9B | 140 BPM | ||
| On the Frame (Acoustic) | Beta Radio | D Minor | 3 | 7A | 141 BPM | ||
| Flesh And Bone | Keaton Henson | A Major | 1 | 11B | 132 BPM | ||
| I Am Still Here | Damien Jurado | C Major | 1 | 8B | 99 BPM | ||
| Blue Mind | Alexi Murdoch | B Major | 3 | 1B | 117 BPM | ||
| Little More Time | Ciaran Lavery | B♭ Major | 5 | 6B | 73 BPM | ||
| This God Damn House | The Low Anthem | B♭ Major | 2 | 6B | 106 BPM | ||
| Denton, TX. | Damien Jurado | F♯ Major | 4 | 2B | 76 BPM | ||
| Down The Burning Ropes | James Vincent McMorrow | B♭ Minor | 4 | 3A | 117 BPM | ||
| Sarah Minor | Keaton Henson | F Major | 2 | 7B | 140 BPM | ||
| The Animals Were Gone | Damien Rice | G Major | 3 | 9B | 69 BPM | ||
| North Star Lover | Fionn Regan | F♯ Minor | 3 | 11A | 79 BPM | ||
| Put On, Cologne | Donovan Woods | D♭ Major | 4 | 3B | 96 BPM | ||
| First Defeat | Noah Gundersen | F Major | 2 | 7B | 144 BPM | ||
| Table for Two | Matthew Perryman Jones | G Major | 3 | 9B | 83 BPM | ||
| It's Only Fear | Alexi Murdoch | E Major | 1 | 12B | 110 BPM | ||
| Lilac Hem | J. Tillman | A♭ Major | 1 | 4B | 132 BPM | ||
| Milk White Air | J. Tillman | F Major | 1 | 7B | 104 BPM | ||
| Further from You | William Fitzsimmons | G Minor | 7 | 6A | 156 BPM | ||
| How Come Your Arms Are Not Around Me | City and Colour | C Minor | 1 | 5A | 117 BPM |