Michael Waugh's ' "Tapping" was released on its scheduled release date, February 15, 2018. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Asphalt & The Oval". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Australia. Based on our statistics, Tapping's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tapping by Michael Waugh having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| TOP END TOUGH | Tom Curtain, Luke O'Shea, Sara Storer | G Major | 9 | 9B | 79 BPM | ||
| The Beginning Of The End | The Pleasures, Catherine Britt, Lachlan Bryan | B Minor | 7 | 10A | 156 BPM | ||
| Looking at My Phone | Pete Denahy | C Major | 6 | 8B | 140 BPM | ||
| Real Men Don't Cry (War on Pride) | Fanny Lumsden | C Major | 2 | 8B | 136 BPM | ||
| Football Train | The Undertow | A Major | 8 | 11B | 180 BPM | ||
| No Hard Feelings | JP Watkins, Chris Sclafani, Jon Chadwick | D♭ Minor | 5 | 12A | 84 BPM | ||
| Long Way from Lonely | Hunter Kaine, Shane Nicholson | A♭ Major | 5 | 4B | 116 BPM | ||
| Waltzing Australia | The Bushwackers | A Major | 6 | 11B | 96 BPM | ||
| The Quiet Life | Kasey Chambers, Shane Nicholson | A Major | 4 | 11B | 124 BPM | ||
| Bloody Rain | Michael Waugh | B♭ Major | 2 | 6B | 145 BPM | ||
| Our Backyard | Amber Lawrence, Travis Collins | D Major | 7 | 10B | 118 BPM | ||
| Beatles V Stones | The Audreys | C Major | 1 | 8B | 98 BPM | ||
| Last Light Over Appalachia | Lone Star Serenades | B♭ Major | 8 | 6B | 146 BPM | ||
| We're Gonna Ride | Tom Curtain | E Major | 6 | 12B | 148 BPM | ||
| I'll See Ya | Simply Bushed | G Major | 6 | 9B | 93 BPM | ||
| Swollen | Michael Waugh | C Major | 7 | 8B | 93 BPM | ||
| Young Lovers | Andrew Swift | A Major | 9 | 11B | 128 BPM | ||
| Largs Pier Hotel | Jimmy Barnes | D Major | 8 | 10B | 94 BPM | ||
| Who's At Your Window | Shane Nicholson | F♯ Minor | 6 | 11A | 182 BPM | ||
| As I Ride | Amy Ryan Music, Peter Smokie Dawson | D Major | 6 | 10B | 103 BPM | ||
| Step In, Step Out | Weddings Parties Anything | D Major | 5 | 10B | 77 BPM | ||
| Tell These Hands | Sara Storer | E♭ Major | 5 | 5B | 81 BPM | ||
| People Get Old | Brad Butcher, Busby Marou | F Major | 6 | 7B | 83 BPM | ||
| This Song Reminds Me | Michael Waugh | C Major | 6 | 8B | 132 BPM | ||
| The Day John Sattler Broke His Jaw | The Whitlams, Black Stump | C Major | 9 | 8B | 109 BPM |