"Hostile Takeover" by Ruth Barrett, Steffen Thum had its release date on July 2, 2025. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Hostile Takeover's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Old Guard 2 (Soundtrack from the Netflix Film)". In this album, this song's track order is #7. In terms of popularity, Hostile Takeover is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hostile Takeover by Ruth Barrett, Steffen Thum having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sidney and Charlotte Dance | Ruth Barrett | D♭ Minor | 2 | 12A | 95 BPM | ||
| Following Patience | Hannes De Maeyer, Ruben de Gheselle | F♯ Major | 1 | 2B | 113 BPM | ||
| Edward's Story on the Train & Grace Is Gone | Alex Heffes | G Minor | 0 | 6A | 63 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| Eroi | Sagrifizio | G Minor | 1 | 6A | 120 BPM | ||
| Privy Council | Martin Phipps | D♭ Major | 0 | 3B | 92 BPM | ||
| Grace in the Mirror | Jeff Danna, Mychael Danna | C Minor | 1 | 5A | 173 BPM | ||
| An All Too Common Malady | Steven Price | G Major | 1 | 9B | 71 BPM | ||
| Happy Symmetry | Rob Kelly, Ruth Barrett, Bella Saer | C Major | 4 | 8B | 164 BPM | ||
| The Fugitive | Maurizio Malagnini | A Minor | 3 | 8A | 150 BPM | ||
| Seeing with New Eyes | Sarah Schachner | A♭ Major | 0 | 4B | 65 BPM | ||
| Night Movements | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Finale | Max Richter | D Major | 3 | 10B | 80 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| El viaje de Judy | Fernando Velázquez | D♭ Major | 4 | 3B | 96 BPM | ||
| All the Great Philanthropists of Our Time Are Businessmen | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| When You Were Born | Rob Simonsen | D Major | 2 | 10B | 127 BPM | ||
| Rob's Journey | Federico Jusid | A Minor | 1 | 8A | 64 BPM | ||
| Veranos De Oscuridad | Noches Eternas | D Major | 1 | 10B | 132 BPM | ||
| Wild Cat | Ilan Eshkeri | F♯ Minor | 3 | 11A | 85 BPM | ||
| Beginnings | Debbie Wiseman | D Major | 1 | 10B | 129 BPM | ||
| Bag Of Bones | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Day of Dominion | Bear McCreary, Sparks & Shadows | G Minor | 2 | 6A | 140 BPM | ||
| Esther Takes the Reins | Ruth Barrett | B♭ Minor | 4 | 3A | 179 BPM |