- BPM
- 108
- Key
- B♭ Major
- Camelot
- 6B
Concerto for English Horn and Orchestra: II. Love Letter by Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra Song Details
"Concerto for English Horn and Orchestra: II. Love Letter" by Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra had its release date on January 1, 1995. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Three Concerti for English Horn". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Concerto for English Horn and Orchestra: II. Love Letter is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Concerto for English Horn and Orchestra: II. Love Letter by Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -32.164 dB
- Acousticness
- 95%
- Danceability
- 24%
- Energy
- 1%
- Instrumentalness
- 18%
- Liveness
- 9%
- Loudness
- 46%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 94 BPM | |
 | Nocturne No. 3 | Guy Ropartz, Stephane Lemelin | E♭ Major | 1 | 5B | 99 BPM | |
 | Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | |
 | Tu mancavi a tormentarmi (Arr. Leopold Stokowski) | Antonio Cesti, Matthias Bamert, BBC Philharmonic | C Minor | 0 | 5A | 76 BPM | |
 | Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | |
 | Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | |
 | Beautiful Fresh Flower (Arr. Grainger for Piano) | Traditional, Piers Lane | F♯ Major | 1 | 2B | 169 BPM | |
 | Prelude, Op. 12, No.7 - Duo-Art 6153 | Sergei Prokofiev, Peter Phillips | C Major | 0 | 8B | 134 BPM | |
 | Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | |
 | Five Little Pieces (2006 - Remaster): 4. Lullaby for a Modern Baby (Very slow) | Frederick Delius, Bournemouth Sinfonietta/Eric Fenby/Elena Duran, Eric Fenby, Bournemouth Sinfonietta | G Major | 0 | 9B | 79 BPM | |
 | Neon Trails | Nomad Skies | C Major | 0 | 8B | 134 BPM | |
 | Scarlatti: Sonata in A Major, K 208 | Domenico Scarlatti, Lavinia Meijer | C Major | 0 | 8B | 134 BPM | |
 | String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM | |
 | Magnificat: IV. Quia fecit mihi magna | MartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Chór Astrolabium, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | C Minor | 1 | 5A | 120 BPM | |
 | Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | |
 | Ives: Wiegenlied | Charles Ives, Thomas Hampson, Armen Guzelimian | A♭ Major | 0 | 4B | 133 BPM | |
 | Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | |
 | Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | |
 | 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | |
 | 6 Romances russes: No. 6 in D Minor (After A. Dargomyzhsky) | Adolf von Henselt, Sergio Gallo | D♭ Major | 1 | 3B | 71 BPM | |
 | Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | |
 | III. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 59 BPM | |
 | Piano Trio in D Minor, Op. 120: Piano Trio in D minor, Op. 120: I. Allegro ma non troppo | Gabriel Fauré, Trio Wanderer | B♭ Major | 0 | 6B | 85 BPM | |
 | Kodály: Mountain Nights: No. 1, Andantino | Zoltán Kodály, Ilona Andor, Kodaly Girls Choir | C Major | 0 | 8B | 134 BPM |
- ISRC
- US4QP0448902
- Label
- L-M Records/RCA Records