Seaway's ' "The Day That She Left" was released on its scheduled release date, October 23, 2015. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 12 in Colour Blind by Seaway. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Day That She Left is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Day That She Left by Seaway is Presto (very, very fast), since this song has a tempo of 187 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Worst Part Of You | Veara | C Major | 10 | 8B | 92 BPM | ||
| A Little Less Put Together | Sundressed | E♭ Major | 6 | 5B | 97 BPM | ||
| What It Takes | City Lights | D♭ Minor | 10 | 12A | 100 BPM | ||
| Twenty Seven | Major League | A♭ Major | 9 | 4B | 174 BPM | ||
| The Lost Cause I Used To Be | A Loss For Words | G Major | 9 | 9B | 93 BPM | ||
| Heavy Lies The Crown | A Loss For Words | D Major | 10 | 10B | 191 BPM | ||
| The Situation | Kid Liberty | F Major | 10 | 7B | 180 BPM | ||
| Something Wonderful | Seaway | E Major | 9 | 12B | 76 BPM | ||
| Woke Up Older | The Wonder Years | E Major | 10 | 12B | 96 BPM | ||
| King of The Ring '98 | Bad Luck. | D Major | 8 | 10B | 76 BPM | ||
| Riverside | With the Punches | E Major | 10 | 12B | 102 BPM | ||
| Blame Me | Coldfront | A♭ Major | 10 | 4B | 95 BPM | ||
| Wreck | Wolf Culture | D♭ Major | 9 | 3B | 145 BPM | ||
| True North | Wilmette | E Major | 9 | 12B | 140 BPM | ||
| Two (Bare) Hands | Homesafe | A Major | 9 | 11B | 115 BPM | ||
| Closure | The Story So Far | D♭ Major | 10 | 3B | 107 BPM | ||
| Friend or Faux? | Settle Your Scores | D♭ Major | 10 | 3B | 158 BPM | ||
| Sleep It Off | Life Lessons | C Major | 9 | 8B | 177 BPM | ||
| The Loved Ones Who Hate Us | Handguns | A♭ Major | 10 | 4B | 132 BPM | ||
| Call Me Disaster | Milestones | B Major | 9 | 1B | 153 BPM | ||
| Tell Me More | WSTR | E♭ Major | 10 | 5B | 110 BPM | ||
| My Reason to Come Back Home 2: Electric Boogaloo | Settle Your Scores | A♭ Major | 9 | 4B | 91 BPM | ||
| Losing Teeth | Neck Deep | C Major | 10 | 8B | 98 BPM | ||
| Truth Be Told | Homebound | F Major | 9 | 7B | 203 BPM | ||
| No Blood, No Foul | With the Punches | D Major | 10 | 10B | 157 BPM |