Nancy Wilson's 'If Ever I Would Leave You' had a release date set for January 1, 1965. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. If Ever I Would Leave You's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nancy Wilson's "Gentle Is My Love" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. If Ever I Would Leave You is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of If Ever I Would Leave You by Nancy Wilson to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'd Know You Anywhere | Irene Kral | G Major | 4 | 9B | 75 BPM | ||
| Laura | Billy Eckstine | C Major | 1 | 8B | 68 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| That's All | Mel Tormé | C Major | 2 | 8B | 184 BPM | ||
| Wrap Your Troubles In Dreams | Sue Raney | A Minor | 2 | 8A | 101 BPM | ||
| All the Way | Nicole Henry | F Minor | 2 | 4A | 130 BPM | ||
| Someday My Prince Will Come | Etta Jones | C Minor | 3 | 5A | 134 BPM | ||
| I Get The Blues When It Rains | Sue Raney | G Minor | 3 | 6A | 114 BPM | ||
| All By Myself - 2006 Remaster | Sue Raney | F♯ Major | 0 | 2B | 98 BPM | ||
| Prisoner of Love | Veronica Swift | D♭ Major | 2 | 3B | 74 BPM | ||
| The Very Thought Of You | Nancy Wilson | E♭ Major | 1 | 5B | 80 BPM | ||
| I've Grown Accustomed To His Face | Lorez Alexandria | B♭ Major | 1 | 6B | 105 BPM | ||
| Our Love Will Always Be There | Diane Schuur | A♭ Minor | 4 | 1A | 111 BPM | ||
| Misty | Samara Joy | A♭ Major | 1 | 4B | 100 BPM | ||
| If You Could See Me Now | Morgana King | A♭ Major | 1 | 4B | 170 BPM | ||
| When October Goes | Nancy Wilson | F Minor | 0 | 4A | 91 BPM | ||
| You Better Go Now | Jeri Southern | A♭ Major | 1 | 4B | 72 BPM | ||
| Stardust | Samara Joy | D♭ Major | 2 | 3B | 128 BPM | ||
| As Long As I'm In Your Arms | Dinah Washington | G Major | 5 | 9B | 124 BPM | ||
| The Sweetest Sound | Judy Niemack, Kenny Barron | C Major | 1 | 8B | 82 BPM | ||
| Almost Like Being In Love | Lorez Alexandria | A♭ Major | 2 | 4B | 83 BPM | ||
| I'll Be Seeing You | Cyrille Aimee, Michael Valeanu | F Minor | 0 | 4A | 90 BPM | ||
| I Guess I'll Have To Change My Plans | Annie Ross, Gerry Mulligan Quartet | F Minor | 3 | 4A | 116 BPM | ||
| Two for the Road | Tony DeSare | G Major | 2 | 9B | 74 BPM | ||
| Taking a Chance on Love | Renee Olstead | A♭ Major | 3 | 4B | 111 BPM |