"And This is My Beloved (from "Kismet")" by Mario Lanza, Irving Aaronson had its release date on 2004. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mario Lanza's "Legends - Mario Lanza" album is number 11 out of 48. On top of that, United States appears to be the country where this track was created. And This is My Beloved (from "Kismet") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of And This is My Beloved (from "Kismet") by Mario Lanza, Irving Aaronson to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Hadn't Anyone Till You | Richard Chamberlain | A♭ Major | 2 | 4B | 124 BPM | ||
| Hey Look Me Over | Ronnie Hilton | G Major | 6 | 9B | 125 BPM | ||
| Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | ||
| Younger Than Springtime (From South Pacific) | John Kerr, Bill Lee | A♭ Major | 4 | 4B | 84 BPM | ||
| The Last Time I Saw Paris | Anne Shelton | E Major | 5 | 12B | 87 BPM | ||
| The Bold Gendarmes | Josef Locke | F Major | 2 | 7B | 120 BPM | ||
| Derry Air (Danny Boy) | Paul Robeson | F♯ Major | 2 | 2B | 97 BPM | ||
| Song Of India | Mario Lanza | E Major | 5 | 12B | 87 BPM | ||
| Me fa impazzì | Dolce Vita | G Minor | 2 | 6A | 75 BPM | ||
| True Love | Richard Chamberlain | F Major | 1 | 7B | 78 BPM | ||
| How Are Things in Glocca Morra | John Gary | E♭ Major | 3 | 5B | 82 BPM | ||
| Unchained Melody | John Gary | D♭ Major | 3 | 3B | 140 BPM | ||
| Sylvia | Mario Lanza | A♭ Major | 4 | 4B | 76 BPM | ||
| Trial by Jury: Where Is the Plaintiff? | Gilbert & Sullivan Society of Houston | F Major | 2 | 7B | 99 BPM | ||
| I'm Walking Behind You | Eddie Fisher | D Major | 1 | 10B | 86 BPM | ||
| Toselli's Serenade - Italian Version | Claudio D'Angelo with The ..., The Venetian Festival Orchestra | B Major | 3 | 1B | 129 BPM | ||
| One Night of Love | Gus Kahn, Mario Lanza | E Major | 5 | 12B | 87 BPM | ||
| What I Did For Love | Des O'Connor | D♭ Major | 1 | 3B | 77 BPM | ||
| An Irish Lullaby (Tooraloora) | Frank Patterson | E♭ Major | 2 | 5B | 136 BPM | ||
| (The Gang That Sang) The Heart of My Heart | Max Bygraves | G Major | 2 | 9B | 114 BPM | ||
| Try to Remember | Ken Dodd | F Major | 2 | 7B | 84 BPM | ||
| Nostalgia (La Mia Nostalgia) | Sergei Rachmaninoff, Amici forever, Prague Film Orchestra | E Major | 4 | 12B | 86 BPM | ||
| Brown / Arr Schifrin: A Tribute to Hollywood Part 4: Singin' in the Rain - Singin' In The Rain | The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 6 | 6B | 140 BPM | ||
| Who's Afraid Not I, Not I, Not I | Dickie Valentine | E♭ Major | 1 | 5B | 86 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM |