Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder's ' "Winter 1" was released on its scheduled release date, January 1, 2014. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Recomposed By Max Richter: Vivaldi, The Four Seasons". In this album, this song's track order is #11. Based on our statistics, Winter 1's popularity is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Winter 1 by Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
| Autumn 1 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Major | 1 | 7B | 114 BPM | ||
| Suite Bergamasque, L. 75: III. Clair de lune | Claude Debussy, Khatia Buniatishvili | D♭ Major | 0 | 3B | 71 BPM | ||
| Concerto n°5 en la mineur: Allegro ma non molto, Falk. 45 | Wilhelm Friedemann Bach, Brigitte Haudebourg, Orchestre Pro Arte, Kurt Redel | A Minor | 2 | 8A | 78 BPM | ||
| Dance For Me Wallis | Abel Korzeniowski | G Minor | 4 | 6A | 86 BPM | ||
| Clouds, The Mind on the (Re)Wind | Ezio Bosso | D Minor | 2 | 7A | 100 BPM | ||
| passepied | Jean-Michel Blais | G Major | 2 | 9B | 89 BPM | ||
| Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto | Franz Schubert, Trio Wanderer | C Minor | 0 | 5A | 87 BPM | ||
| New York | RIOPY | E Major | 2 | 12B | 165 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 141 BPM | ||
| Absent Minded | Gabríel Ólafs | B♭ Major | 1 | 6B | 84 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Cambridge 1963 (Arr. Knoth for Solo Violin & Ensemble) - From “The Theory of Everything“ | Jóhann Jóhannsson, Mari Samuelsen, Soyoung Yoon, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 2 | 6B | 80 BPM | ||
| Path 17 (Before the Ending of Daylight) - Pt. 4 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | F Major | 1 | 7B | 71 BPM | ||
| Teil I | Kjartan Sveinsson | C Minor | 3 | 5A | 61 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
| A Song for Europa | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F Minor | 1 | 4A | 72 BPM | ||
| Nureyev | Ilan Eshkeri, Lisa Batiashvili, Dudana Mazmanishvili | F Major | 1 | 7B | 117 BPM | ||
| Sergio Leone Suite: Ecstasy of Gold from "The Good, the Bad, and the Ugly" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | A Minor | 4 | 8A | 96 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM | ||
| Barber: Adagio for Strings, Op. 11 | Samuel Barber, Philadelphia Orchestra, Eugene Ormandy | B♭ Minor | 1 | 3A | 80 BPM | ||
| Arboretum | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | D♭ Major | 3 | 3B | 184 BPM | ||
| The Landing | Justin Hurwitz | G Minor | 3 | 6A | 80 BPM | ||
| Violin Concerto No. 1 "EsoConcerto": III. Presto con Fuoco | Ezio Bosso, The Buxusconsort Strings Orchestra, Giacomo Agazzini | E♭ Major | 3 | 5B | 98 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM |