Walter Beasley's ' "All I Want" was released on its scheduled release date, March 11, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Walter Beasley's "Go with the Flow (Reissue)" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, All I Want is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of All I Want by Walter Beasley to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Think of You | Brendan Rothwell | B♭ Minor | 3 | 3A | 88 BPM | ||
| Midnight In Madrid | Joe McBride | F Minor | 6 | 4A | 96 BPM | ||
| Ain't No Stoppin' Us Now | Wayman Tisdale | A♭ Major | 7 | 4B | 113 BPM | ||
| Captivate Me | Riley Richard | C Major | 8 | 8B | 93 BPM | ||
| Anywhere Near You | Russ Freeman | F Minor | 6 | 4A | 83 BPM | ||
| Breakfast with Tiffany | Wayman Tisdale | C Major | 6 | 8B | 100 BPM | ||
| Pacific Breeze | Gail Jhonson, Nelson Braxton | F Minor | 5 | 4A | 97 BPM | ||
| Between Us (feat. Michael Stever) | Nicholas Cole, Michael Stever | D♭ Minor | 8 | 12A | 94 BPM | ||
| It's Gonna Be Alright | Steve Cole | A Minor | 7 | 8A | 171 BPM | ||
| The Sax Pack | The Sax Pack | G Major | 7 | 9B | 99 BPM | ||
| City Lights | Nelson Rangell | G Minor | 6 | 6A | 98 BPM | ||
| Limitless (feat. Althea Rene) | J. White, Althea Rene | A Minor | 6 | 8A | 100 BPM | ||
| In the Day | Lin Rountree | G Major | 5 | 9B | 93 BPM | ||
| High Steppin' | Joe McBride | F Major | 7 | 7B | 94 BPM | ||
| Expressway | Walter Beasley | B Minor | 7 | 10A | 124 BPM | ||
| Monday Speaks | Everette Harp | F Major | 8 | 7B | 107 BPM | ||
| Better Days | Everette Harp | G Minor | 4 | 6A | 83 BPM | ||
| Vip (feat. Jay Soto) | Jonathan Fritzén, Jay Soto | F Minor | 6 | 4A | 101 BPM | ||
| Smooth Groove | Nathan Mitchell | F Minor | 7 | 4A | 82 BPM | ||
| Free to Be | Kim Scott, Jazmin Ghent | G Minor | 6 | 6A | 199 BPM | ||
| Love's Taken Over | Nate Harasim, Jason Rahn, Jay Soto | E Minor | 8 | 9A | 172 BPM | ||
| All for You (feat. Walter Beasley) | Willie Bradley, Walter Beasley | B♭ Minor | 7 | 3A | 91 BPM | ||
| Free | Althea Rene | F Major | 6 | 7B | 87 BPM | ||
| Easy Street | Eric Marienthal | B♭ Minor | 6 | 3A | 94 BPM | ||
| Peg | Tom Braxton | G Major | 7 | 9B | 108 BPM |