1969's 'And The Nominees Are…' had a release date set for March 26, 2008. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in 1969's "Maya" album is number 8 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, And The Nominees Are…'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of And The Nominees Are… by 1969 to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| relentless | Raised By Swans | C Major | 6 | 8B | 75 BPM | ||
| Treeology | Shady Bard | F♯ Minor | 8 | 11A | 155 BPM | ||
| Stay Away | The Honorary Title | D Major | 3 | 10B | 70 BPM | ||
| Trouble Sleeping | The Perishers | G Minor | 7 | 6A | 91 BPM | ||
| Soon | Sleeperstar | B♭ Major | 4 | 6B | 100 BPM | ||
| Model Homes | In-Flight Safety | A Major | 8 | 11B | 121 BPM | ||
| Gender Bombs | The Stills | E Minor | 8 | 9A | 118 BPM | ||
| Found You | Ross Copperman | E Major | 7 | 12B | 133 BPM | ||
| Telescope | Graham Colton | B Minor | 8 | 10A | 105 BPM | ||
| Baggage to Lose | Early Edison | F♯ Major | 5 | 2B | 174 BPM | ||
| Like a Man Possessed | The Get Up Kids | F♯ Minor | 4 | 11A | 137 BPM | ||
| Between | Courrier | A♭ Major | 5 | 4B | 146 BPM | ||
| Sing | Sounds Under Radio | B Major | 9 | 1B | 131 BPM | ||
| Texas Rain | Sleeperstar | D Major | 6 | 10B | 148 BPM | ||
| Where Do We Go? | Mitchell | G Major | 5 | 9B | 140 BPM | ||
| All Talk No Action | 1969 | G Major | 10 | 9B | 130 BPM | ||
| Better Alone | Carolina Liar | A Minor | 8 | 8A | 103 BPM | ||
| Good As Gold | Bleach | B Minor | 10 | 10A | 144 BPM | ||
| Blister of the Spotlight (with Rachael Yamagata) | Rachael Yamagata, Ashtar Command | C Major | 8 | 8B | 109 BPM | ||
| The Ocean | The Bravery | C Minor | 5 | 5A | 80 BPM | ||
| Open the Door | Carolina Liar | A Major | 9 | 11B | 137 BPM | ||
| If Love Was Enough | Graham Colton | G Major | 6 | 9B | 136 BPM | ||
| Why The Suspense | 1969 | E Major | 6 | 12B | 92 BPM | ||
| My Name Is Love | Rob Dickinson | A Major | 7 | 11B | 137 BPM | ||
| Will You Be by Me | Wallpaper Airplanes | F♯ Major | 3 | 2B | 79 BPM |