Erik Satie, 津田真理's '私はあなたが好き(サティ)' had a release date set for June 3, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in サティ:ピアノ名曲ベスト35, so we believe that "私はあなたが好き(サティ)" is a single. 私はあなたが好き(サティ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 私はあなたが好き(サティ) by Erik Satie, 津田真理 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romances sans paroles, Op. 17, No. 3 | Gabriel Fauré, Thérèse Ryan, Francine Chabot | A Major | 0 | 11B | 85 BPM | ||
| Meditation | Florence Beatrice Price, Claire Huangci | D Major | 3 | 10B | 141 BPM | ||
| ダニーボーイ(アイルランド民謡/清塚信也編) | Traditional, Shinya Kiyozuka | B♭ Major | 0 | 6B | 67 BPM | ||
| G.ガーシュイン「ラプソディ・イン・ブルー」 | ソルフェジオ俱楽部 | C Major | 2 | 8B | 86 BPM | ||
| Humoresque, Op. 101 | Hans Kalafusz, Klaus von Wildemann | G Major | 1 | 9B | 65 BPM | ||
| Choral Prelude "Awake, The voice is Sounding" BWV.645 (Arr.Kempff) | Stanislav Bunin | E♭ Major | 1 | 5B | 121 BPM | ||
| Romance In F Major, Op. 118 No. 5 | Johannes Brahms, Kun-Woo Paik | F Major | 1 | 7B | 69 BPM | ||
| Intermezzo In B Minor, Op. 119 No.1 | Johannes Brahms, Kun-Woo Paik | D Minor | 1 | 7A | 81 BPM | ||
| タイプライター | Leroy Anderson, Yuko Mifune | G Major | 2 | 9B | 155 BPM | ||
| It's Not All Bad, After All | Peter Breiner | A Minor | 0 | 8A | 83 BPM | ||
| ショパン: 別れの曲 | Kentaro Haneda | E Major | 1 | 12B | 69 BPM | ||
| 光る君へ メインテーマ Amethyst - 2024 Live Version | キンボー・イシイ, NHK Symphony Orchestra | B♭ Minor | 3 | 3A | 75 BPM | ||
| 予言の鳥(森の情景 作品82の7) | Robert Schumann, Fujiko Hemming | E Major | 0 | 12B | 99 BPM | ||
| Nocturne No. 8 in A Major, H. 14E | John Field, Benjamin Frith | A Major | 1 | 11B | 183 BPM | ||
| Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, David Fray | B♭ Major | 0 | 6B | 75 BPM | ||
| サティ:ジュ・トゥ・ヴ | Kentaro Haneda | C Major | 1 | 8B | 98 BPM | ||
| blooming spring | Piano perfume | A Major | 0 | 11B | 74 BPM | ||
| Rachmaninov: 8 Études-tableaux, Op. 33: No. 2 in C Major | Sergei Rachmaninoff, Hélène Grimaud | F Major | 0 | 7B | 73 BPM | ||
| 雨だれ(前奏曲第15番変ニ長調 作品28の15) | Nobuyuki Tsujii | D♭ Major | 0 | 3B | 173 BPM | ||
| ジェニーへのオマージュ 作品1 | Nobuyuki Tsujii | F Major | 1 | 7B | 138 BPM | ||
| プリエ ~「椿姫」第1幕より青のパ・ド・ドゥ~ - 4/4 8×8 - ピアノ協奏曲第2番 第2楽章 変イ長調 Op.21 | 滝澤 志野 | E Major | 1 | 12B | 72 BPM | ||
| Grieg: Lyric Pieces, Book III, Op. 43: No. 6, To the Spring | Edvard Grieg, Aurélien Pontier | C Major | 0 | 8B | 81 BPM | ||
| 8つの演奏会用エチュード 作品40: 第6番: パストラール | Nikolai Kapustin, Nobuyuki Tsujii | E♭ Major | 3 | 5B | 105 BPM | ||
| ジュ・トゥ・ヴ | Erik Satie, Yuko Mifune | C Minor | 1 | 5A | 105 BPM | ||
| Schumann: Kinderszenen, Op. 15 - トロイメライ | Robert Schumann, Fujiko Hemming | F Major | 0 | 7B | 106 BPM |