"Red Lights" by Lane Smith had its release date on April 11, 2025. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 11 in Austin by Lane Smith. Red Lights is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Red Lights by Lane Smith is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Didn't Love Her If You Don't | Tyler Chambers | G Major | 8 | 9B | 92 BPM | ||
| Shoulda Called Her | Colin Stough | D♭ Major | 7 | 3B | 126 BPM | ||
| Broken Home | Clayton Shay | E♭ Major | 4 | 5B | 132 BPM | ||
| 2 Years And Some Change | Blake Wood | D♭ Major | 5 | 3B | 122 BPM | ||
| Sore | Aidan Canfield | B Minor | 9 | 10A | 91 BPM | ||
| More Than My Last Name | Michael DuBois | D♭ Major | 5 | 3B | 160 BPM | ||
| Evergreen | Dipper | F Major | 7 | 7B | 100 BPM | ||
| Break It Like That | Dawson Anderson | D Major | 9 | 10B | 132 BPM | ||
| Boy Can Dream | Dipper | G Major | 8 | 9B | 80 BPM | ||
| New Girl | Jay Allen | C Major | 4 | 8B | 108 BPM | ||
| Distance | Cam Galloway | B Minor | 9 | 10A | 165 BPM | ||
| Whiskey in the World | Jay Allen | C Major | 4 | 8B | 108 BPM | ||
| Where We Lie | Caleb Lathrop | C Major | 7 | 8B | 146 BPM | ||
| Nothin’ Else | Michael Ray | G Major | 6 | 9B | 124 BPM | ||
| Beauty In The Broken | Pryor Baird | G Major | 4 | 9B | 79 BPM | ||
| Sweet Marie | Caleb Lathrop | G Minor | 7 | 6A | 96 BPM | ||
| Broken Man | Tyler Joe Miller | A Major | 0 | 11B | 133 BPM | ||
| Thanks for the Haircut | The Roads Below | B♭ Major | 5 | 6B | 170 BPM | ||
| GOOD SINNER - ACOUSTIC | Graham Barham | F♯ Major | 6 | 2B | 146 BPM | ||
| I Don't Hate You | wak nakni | E♭ Major | 3 | 5B | 82 BPM | ||
| I Know Better Now | Kelleigh Bannen | F♯ Major | 3 | 2B | 69 BPM | ||
| Beaches In Oklahoma | Dawson Anderson | E Major | 9 | 12B | 150 BPM | ||
| Man Up | Greylan James | C Major | 6 | 8B | 134 BPM | ||
| Miss Somewhere | Clayton Mullen | D♭ Major | 4 | 3B | 142 BPM | ||
| Anybody Else | Cooper Greer | A Major | 8 | 11B | 172 BPM |