Humane Sagar, Sohini Mishra's ' "Lambi Lambi Jaantaki Rasta" was released on its scheduled release date, September 27, 2024. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Tike Tike Achinha Tu (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Lambi Lambi Jaantaki Rasta's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Lambi Lambi Jaantaki Rasta by Humane Sagar, Sohini Mishra having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adina Megha | Humane Sagar, Arpita Choudhary | F♯ Minor | 6 | 11A | 116 BPM | ||
| Akhire Akhi | Udit Narayan, Ananya Sritam Nanda | A♭ Minor | 7 | 1A | 80 BPM | ||
| Sagar Beni | Amar Dash, Archana Padhi | C Minor | 6 | 5A | 120 BPM | ||
| Gulapi Rani | Ankit Raaj, Sandhya Rani | G Minor | 8 | 6A | 76 BPM | ||
| Bhala Pauchu Ki | S Jitu, Arpita Choudhury | B Minor | 8 | 10A | 130 BPM | ||
| Haye Re Jibana - From "Delivery Boy" | Rituraj Mohanty, Baidyanath Dash, Suryan Mohapatra | D♭ Major | 8 | 3B | 132 BPM | ||
| Barasi Jaa Megha Tu Barasi Jaa | Prem Darshan, Humane Sagar | D♭ Minor | 9 | 12A | 116 BPM | ||
| Jibanathu Tu Mora Bhari Jaruri (Original Motion Picture Soundtrack) | Humane Sagar, Diptirekha Padhi | B Minor | 9 | 10A | 122 BPM | ||
| Bhala Pae Re | Aseema Panda, Humane Sagar | A Minor | 6 | 8A | 124 BPM | ||
| Sweet Heart - Title | Javed Ali, Tapu Mishra | B♭ Minor | 5 | 3A | 95 BPM | ||
| Hum Dum Mere | Abhijeet Bhattacharya, Ira Mohanty | F Minor | 9 | 4A | 146 BPM | ||
| Gela | Amar Dash, Saismita Nayak | C Minor | 9 | 5A | 120 BPM | ||
| To Akhi Nila Kain | Shasank Sekhar, Amrita Pani | F Major | 8 | 7B | 170 BPM | ||
| Megha Kadamba (From Raktagolapa) | Ashish Pradhan, Humane Sagar, Rakesh Dash | B♭ Major | 7 | 6B | 90 BPM | ||
| Odia Asmita | Ira Mohanty, Humane Sagar | D Minor | 8 | 7A | 122 BPM | ||
| Sundri Guriyaa | Swagatika, Nil Sagar | A♭ Minor | 8 | 1A | 100 BPM | ||
| Fasigala Abhimanyu | Sunidhi Chauhan | A Major | 8 | 11B | 183 BPM | ||
| Re Mana | Mohd Irfaan | A Minor | 4 | 8A | 76 BPM | ||
| Aaa Mane Anandpur | Tapu Mishra | D♭ Major | 7 | 3B | 172 BPM | ||
| Maa Samalei | Mantu Chhuria | F Minor | 10 | 4A | 144 BPM | ||
| Mana Udi Jaaye Re | Antara Chakraborty, Pragyan Hota, Somesh Satpathy | C Major | 7 | 8B | 130 BPM | ||
| Asichi Mu Eka - From "Bidyarana" | Babushaan Mohanty, Baidyanath Dash | G Minor | 8 | 6A | 76 BPM | ||
| Nabama Sreni Jhiata | Bibhu Kishore | G Minor | 10 | 6A | 146 BPM | ||
| Ye Rupa Ye Chehera | Udit Narayan | B Minor | 8 | 10A | 89 BPM | ||
| Dil Dhadke | Ujwal Joshi, Humane Sagar, Swagatika Tripathy | F Minor | 9 | 4A | 59 BPM |