Maximo Park, Tom Middleton's ' "Let's Get Clinical - Tom Middleton Twisted Dub" was released on its scheduled release date, November 16, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Twelve". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Let's Get Clinical - Tom Middleton Twisted Dub's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Let's Get Clinical - Tom Middleton Twisted Dub by Maximo Park, Tom Middleton having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wide Awake | The Twang | C Major | 10 | 8B | 114 BPM | ||
| Jacqueline | The Coral | F♯ Major | 8 | 2B | 127 BPM | ||
| Raoul | The Automatic | B Major | 7 | 1B | 145 BPM | ||
| Trouble | The Rakes | C Major | 9 | 8B | 167 BPM | ||
| Under Control | Good Shoes | A Minor | 8 | 8A | 145 BPM | ||
| Nothing Comes to Nothing | Babyshambles | G Major | 9 | 9B | 131 BPM | ||
| You Got the Style | Athlete | E Major | 6 | 12B | 172 BPM | ||
| Black Chandelier | Biffy Clyro | B Major | 5 | 1B | 111 BPM | ||
| This Is What Becomes of the Brokenhearted | Maximo Park | E♭ Major | 8 | 5B | 149 BPM | ||
| Dr. Suzanne Mattox, PhD | The Wombats | D Major | 8 | 10B | 81 BPM | ||
| MY KZ, UR BF | Everything Everything | F Minor | 7 | 4A | 103 BPM | ||
| Easy Money | Johnny Marr | F♯ Minor | 10 | 11A | 135 BPM | ||
| Local Boy | The Rifles | A Major | 8 | 11B | 91 BPM | ||
| Love You Better | The Maccabees | G Major | 7 | 9B | 142 BPM | ||
| Fingers In The Factory | Editors | F♯ Minor | 7 | 11A | 150 BPM | ||
| Fire | Kasabian | G Major | 9 | 9B | 126 BPM | ||
| You Talk | Babyshambles | D Major | 9 | 10B | 148 BPM | ||
| Bandits | Reverend And The Makers | F♯ Minor | 9 | 11A | 164 BPM | ||
| Will You Be There? | The Sherlocks | A Minor | 8 | 8A | 119 BPM | ||
| In My Element | The Clause | A Minor | 8 | 8A | 120 BPM | ||
| Brewster | Milburn | B Minor | 9 | 10A | 170 BPM | ||
| Decent Days and Nights | The Futureheads | E Major | 9 | 12B | 172 BPM | ||
| Until the Earth Would Open | Maximo Park | F♯ Minor | 9 | 11A | 102 BPM | ||
| Here Comes the Anxiety | The Wombats | D Major | 7 | 10B | 79 BPM | ||
| Dead Scene | The Sunshine Underground | G Major | 9 | 9B | 126 BPM |