Slim Whitman, Robert Norberg's ' "It's A Sin To Tell A Lie - Remastered 1990" was released on its scheduled release date, January 1, 1997. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. It's A Sin To Tell A Lie - Remastered 1990's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vintage Collections by Slim Whitman. The song's track number on the album is #15 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, It's A Sin To Tell A Lie - Remastered 1990's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since It's A Sin To Tell A Lie - Remastered 1990 by Slim Whitman, Robert Norberg has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With It's A Sin To Tell A Lie - Remastered 1990 being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Somebody's Back in Town | The Wilburn Brothers | G Major | 2 | 9B | 140 BPM | ||
| Second Hand Rose | Roy Drusky | E♭ Major | 5 | 5B | 133 BPM | ||
| The Wayward Wind | Slim Whitman | G Major | 2 | 9B | 117 BPM | ||
| Cindy Oh Cindy | Eddie Fisher | G Major | 4 | 9B | 122 BPM | ||
| Beer Drops & Tear Drops | Claude King | E Major | 5 | 12B | 87 BPM | ||
| A Satisfied Mind | Jean Shepard | B♭ Major | 3 | 6B | 141 BPM | ||
| Fort Worth, Dallas or Houston | George Hamilton IV | F♯ Major | 5 | 2B | 134 BPM | ||
| Tell The Folks I Miss 'Em | The Lonesome Valley Singers | D♭ Major | 3 | 3B | 68 BPM | ||
| Slowpoke | Pee Wee King | G Major | 2 | 9B | 140 BPM | ||
| I Forgot More Than You'll Ever Know | The Davis Sisters | G Major | 2 | 9B | 140 BPM | ||
| Forgive Me, John (With Ferlin Husky) | Jean Shepard | C Major | 4 | 8B | 118 BPM | ||
| Big Man in a Big House | Leroy Van Dyke | A Minor | 8 | 8A | 172 BPM | ||
| When I Grow Too Old to Dream | Ruby Murray | B♭ Major | 1 | 6B | 78 BPM | ||
| Rhinestone Cowboy | Slim Whitman | C Major | 3 | 8B | 80 BPM | ||
| Six Times A Day (The Trains Came Down) | Dick Curless | C Major | 5 | 8B | 96 BPM | ||
| Could It Be | David Price | E Major | 2 | 12B | 82 BPM | ||
| I'm Just Here to Get My Baby Out of Jail | Claude King | D Major | 3 | 10B | 84 BPM | ||
| Three Hearts in a Tangle | Roy Drusky | C Major | 3 | 8B | 97 BPM | ||
| I'll Catch You When You Fall - Single Version | Charlie Walker | G Major | 5 | 9B | 138 BPM | ||
| China Doll | Slim Whitman | E Major | 3 | 12B | 108 BPM | ||
| The Tattooed Lady (feat. Johnny White and His Rhythm Riders) | Skeets McDonald, Johnny White and His Rhythm Riders | F Major | 4 | 7B | 95 BPM | ||
| Roll Muddy River | George Hamilton IV | E Major | 5 | 12B | 141 BPM | ||
| The Long Black Veil | Lefty Frizzell | E Major | 1 | 12B | 63 BPM | ||
| I Want to Be with You Always | Lefty Frizzell | B♭ Major | 2 | 6B | 115 BPM | ||
| Life Gets Tee-Jus Don't It | Walter Brennan | B♭ Major | 3 | 6B | 116 BPM |