Ralph Benatzky, Gretl Schörg, Willy Hofmann's ' "Im weissen Rössl: Dialog (Josepha, Leopold)" was released on its scheduled release date, January 22, 2015. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 33 in Benatzky: Im weissen Rössl by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Willy Hofmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Im weissen Rössl: Dialog (Josepha, Leopold) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Im weissen Rössl: Dialog (Josepha, Leopold) by Ralph Benatzky, Gretl Schörg, Willy Hofmann is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Castaldo | Rudolf Novacek, Tschechische Philharmonie, Václav Neumann | B Minor | 5 | 10A | 124 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| Grand Vals | Charlotte Guldberg, Hans Nielsen | C Major | 3 | 8B | 170 BPM | ||
| Heut Abend lad' ich mir die Liebe ein | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Eugen Jochum, Bavarian Radio Symphony Orchestra | F Minor | 2 | 4A | 77 BPM | ||
| Dein ist mein ganzes Herz | Rudolf Schock | D♭ Major | 3 | 3B | 46 BPM | ||
| Mattinata (Frühlingserwachen) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
| L'Auberge du Cheval Blanc: Dialogue 7 | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Fernand Sardou, Bernard Plantey, Jack Claret, Luc Barney, Huguette Boulangeot, Colette Riedinger, Simone Sully, Wilma Luchini, Sam Max, Jacky Gencel, Valdy Vallee, J. Herbe | D Major | 4 | 10B | 73 BPM | ||
| Das muss ein Stück vom Himmel sein | Paul Hörbiger | F Major | 4 | 7B | 126 BPM | ||
| Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
| Der Zigeunerbaron: Einzugsmarsch | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 4 | 6B | 103 BPM | ||
| Annen-Polka | Johann Strauss Orchester | D Major | 1 | 10B | 147 BPM | ||
| You Are My Heart's Delight | Richard Tauber | D♭ Major | 2 | 3B | 91 BPM | ||
| Luces de mi ciudad | Mariano Mores | G Major | 3 | 9B | 104 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| Bunt sind schon die Wälder | Eva Lind | A♭ Major | 4 | 4B | 87 BPM | ||
| Komm, lieber Mai und mache | Eva Lind | B♭ Major | 3 | 6B | 79 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Zweiter Akt: O du mein Österreich - Zuschau'n kann i net - Es muß was Wunderbares sein (Leopold - Kaiser - Josepha - Siedler - Chor) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | F Major | 3 | 7B | 81 BPM | ||
| Einzugsmarsch aus Der Zigeunerbaron | Menskes Chöre | B♭ Major | 6 | 6B | 113 BPM | ||
| Mein Liebeslied muss ein Walzer sein | Robert Stolz, André Rieu | C Major | 5 | 8B | 78 BPM | ||
| Radetzky March | Johann Strauss | A Major | 5 | 11B | 107 BPM | ||
| L'Auberge du Cheval Blanc: Dialogue 13 | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Fernand Sardou, Bernard Plantey, Jack Claret, Luc Barney, Huguette Boulangeot, Colette Riedinger, Simone Sully, Wilma Luchini, Sam Max, Jacky Gencel, Valdy Vallee, J. Herbe | C Major | 2 | 8B | 134 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Flicker of Hope | Veridia | E Major | 3 | 12B | 77 BPM |