Adrian Willaert, Riccardo Villani, Danilo Lorenzini, Giuseppe Azzarelli's 'Musica Nova: Ricercare XXII' had a release date set for August 27, 1996. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Musica Nova: Ricercare XXII's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Willaert: Musica Nova by Adrian Willaert, Various Artists. The song's track number on the album is #20 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Musica Nova: Ricercare XXII is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Musica Nova: Ricercare XXII by Adrian Willaert, Riccardo Villani, Danilo Lorenzini, Giuseppe Azzarelli has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Musica Nova: Ricercare XXII being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lachrimae or Seven Tears: VI. Lachrimae amantis | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Ballo francese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 0 | 8B | 87 BPM | ||
| O pulcherrima mulierum a 5 | Jacques Arcadelt, Chœur De Chambre De Namur, Leonardo García-Alarcón, Adrià Gracia | B♭ Minor | 1 | 3A | 81 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
| Courant Dolorosa À 4 Voc. Cantus IX | Jordi Savall, Samuel Scheidt | D♭ Minor | 1 | 12A | 75 BPM | ||
| Itene, o miei sospiri | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 2 | 8B | 72 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Missa Myn hert: Kyrie | Mathieu Gascongne, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 68 BPM | ||
| Missa "La Spagna": V. Agnus Dei | Heinrich Isaac, Into the Winds | B♭ Minor | 1 | 3A | 90 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Paduana und Galliard: Paduana | Melchior Borchgrevinck, Ensemble Hamburger Ratsmusik, Simone Eckert | B Major | 2 | 1B | 81 BPM | ||
| Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
| Pavana Philippi | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Occhi piangete | Adrian Willaert, Singer Pur | F♯ Major | 2 | 2B | 81 BPM | ||
| Veni in hortum meum à 6 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | G Minor | 1 | 6A | 103 BPM | ||
| Entrée des laquais | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 1 | 5B | 87 BPM | ||
| Sonata à 6, doi violini e quattro tromboni | Giovanni Battista Buonamente, Musica Fiata, Roland Wilson | G Major | 1 | 9B | 97 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| Ricercare | Francesco Spinacino, Circa 1500, Emily Van Evera, Nancy Hadden, Robert Meunier, Christopher Wilson, Erin Headley | C Minor | 0 | 5A | 94 BPM | ||
| O mors inevitabili | Jheronimus Vinders, Obsidienne, Emmanuel Bonnardot | B Minor | 0 | 10A | 123 BPM | ||
| Maria stabat ad momentum (Concerti, 1587) | Andrea Gabrieli, Gabrieli, Paul McCreesh, Timothy Roberts | F Major | 1 | 7B | 70 BPM | ||
| Io visans | Adrian Willaert, Paul O'Dette, The King's Noyse, David Douglass | A Minor | 1 | 8A | 81 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM |