- BPM
- 169
- Key
- B Major
- Camelot
- 1B
Молитва 7-я, Песнь полунощная ко Пресвятой Богородице - Молитвы утренние by Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) Song Details
"Молитва 7-я, Песнь полунощная ко Пресвятой Богородице - Молитвы утренние" by Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) had its release date on October 17, 2003. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Молитва 7-я, Песнь полунощная ко Пресвятой Богородице - Молитвы утренние's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Молитвы утренние. Молитвы на сон грядущим, so we believe that "Молитва 7-я, Песнь полунощная ко Пресвятой Богородице - Молитвы утренние" is a single. The popularity of Молитва 7-я, Песнь полунощная ко Пресвятой Богородице - Молитвы утренние is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Молитва 7-я, Песнь полунощная ко Пресвятой Богородице - Молитвы утренние by Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 20%
- Loudness
- -17.209 dB
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Small Litany | St. Tikhon's Mission Choir, Benedict Sheehan | B Major | 2 | 1B | 167 BPM | |
 | Liturgija Sv. Jovana Zlatoustog (Liturgy of St. John Chrysostom) - 4 | Stevan St. Mokranjac, Beogradski Madrigalisti | D♭ Major | 2 | 3B | 140 BPM | |
 | Πάσα πνοή, αινείτε τον Κύριον, Ήχος β´, Μέλος αργοσύντομο | Choir of Simonopetra | A Major | 3 | 11B | 85 BPM | |
 | Kontakion "Come, Let Us All Sing" - arr. A Kastalsky | Archangel Voices | E Minor | 2 | 9A | 115 BPM | |
 | Звон колокольни Ближних Пещер | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | A♭ Minor | 3 | 1A | 114 BPM | |
 | Tebe Poem (We Are Singing to You) | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | |
 | Καταβασίες Του Πάσχα | Στέφανος Πελεκανής | F Major | 1 | 7B | 130 BPM | |
 | The Great Canon of Supplication: Ode V in English | Psaltiki | B♭ Major | 2 | 6B | 118 BPM | |
 | Απόλυσις | Χορός Βατοπαιδινών Πατέρων | A♭ Major | 1 | 4B | 73 BPM | |
| Nunc Dimittis (The Cantata of Simon): "Now O Lord, You Can Leave Your Servant" | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | |
 | Vouchsafe, O Lord | St. Tikhon's Masterclass Choir, Vladimir Gorbik | A♭ Minor | 0 | 1A | 68 BPM | |
 | Тропарь Успения Пресвятой Богородицы | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | G Major | 3 | 9B | 86 BPM | |
 | Воскресение Христово видевшее... | Объединенный хор Свято-Успенской Киево-Печерской Лавры и Киевских Духовных Акадении и Семинарии, иеродиакон Кирилл (Борисевич) | G Major | 3 | 9B | 86 BPM | |
 | St. Tikhon of Zadonsk, Troparion | St. Tikhon's Seminary Choir | C Major | 1 | 8B | 107 BPM | |
 | Anoikso to Stoma | Kabarnos | D♭ Major | 2 | 3B | 114 BPM | |
 | Our Lord - Alternate Edition | Cantores Lux Dei, Orhaya, Matteo Solumn | E♭ Major | 1 | 5B | 67 BPM | |
 | Dogmatic Theotokion Tone V | All-Merciful Saviour Monastery | E♭ Major | 1 | 5B | 83 BPM | |
 | Великое Славословие - Византийский распев, глас 5 | Византийский Хор Аксион Естин | F Major | 2 | 7B | 100 BPM | |
 | Beatitudes – Prokeimenon (Mode IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | F Major | 2 | 7B | 82 BPM | |
 | Ως Τον Βασιλέα | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | |
 | Όταν έλθης επί γης μετ' αγγελικών δυνάμεων | Ι. Μ. Βατοπαιδίου | A♭ Major | 3 | 4B | 137 BPM | |
 | Litany | The Serbian Choral Society Jedinstvo 1839 Kotor | F Major | 2 | 7B | 62 BPM | |
 | Kyrie ton Paraliton (Doksastiko ainon Kyriakhs Paralitou) | Christos Kolovos | E♭ Major | 1 | 5B | 140 BPM | |
 | Ειρμός Της Η΄ Ωδής | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | E Major | 4 | 12B | 67 BPM | |
 | Ιδού Ο Νυμφίος | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | F♯ Major | 3 | 2B | 108 BPM |
- ISRC
- RUA100308012
- Label
- L-M Records/RCA Records