Kamil Erdem's ' "Bestenigar Forte" was released on its scheduled release date, October 2, 1997. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kamil Erdem's "Kedi Rüyası" album is number 6 out of 9. Based on our statistics, Bestenigar Forte's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Bestenigar Forte by Kamil Erdem to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falling | Ilhan Ersahin, Alp Ersönmez, Turgut Alp Bekoğlu, İzzet Kızıl | E♭ Major | 6 | 5B | 116 BPM | ||
| Farewell | Walter Geromet | A Minor | 5 | 8A | 97 BPM | ||
| Szerelmes duett | Lajkó Félix | A Minor | 6 | 8A | 104 BPM | ||
| Flamenco | Adam Ben Ezra | A Major | 5 | 11B | 101 BPM | ||
| Fata Morgana | Faran Ensemble, Roy Smila, Gad Tidhar, Refael Ben-Zichry | A Minor | 3 | 8A | 177 BPM | ||
| Zərif Gülüşün | Shahriyar Imanov, Etibar Asadli | A♭ Minor | 2 | 1A | 125 BPM | ||
| Kabuk | Cenk Erdoğan, Robert Mehmet Ikiz, Baran Say | B Minor | 3 | 10A | 120 BPM | ||
| Thirsty Arab (Tales of Scheherazade) | Arman Ayva | D♭ Major | 7 | 3B | 105 BPM | ||
| Usul Usul | Cenk Erdoğan, Adem Gülşen | D Minor | 5 | 7A | 148 BPM | ||
| Mirrors - Live Session | Sarel Hacohen | D Minor | 5 | 7A | 130 BPM | ||
| Kıyı | Mert Pekduraner | G Major | 5 | 9B | 104 BPM | ||
| Like a Bird | Ziv Raveh | F Major | 5 | 7B | 154 BPM | ||
| Naga | Ibrahim Maalouf, Adnan Jubran | F Minor | 4 | 4A | 109 BPM | ||
| Bossa | Rony Ganor | E Minor | 3 | 9A | 125 BPM | ||
| Majâz | Le Trio Joubran | F Major | 4 | 7B | 94 BPM | ||
| Güz Düşü | Ezgi Sevgi Can, Ela Nuroglu | A Minor | 5 | 8A | 97 BPM | ||
| Camelia | Anjelika Akbar | D Minor | 2 | 7A | 75 BPM | ||
| Kenza | Kheireiddine Mkachiche, Manuel Hermia, Zinou Kendour, François Garny, Franck Vaillant | F♯ Major | 6 | 2B | 136 BPM | ||
| scraped knees, 1999 | We Are Jazz | A Minor | 5 | 8A | 97 BPM | ||
| Seems to Be Rare | Joseph Tawadros | B♭ Major | 2 | 6B | 95 BPM | ||
| Ateşbaz | Yansımalar | D Minor | 3 | 7A | 81 BPM | ||
| Kara Gider | Cenk Erdoğan, Robert Mehmet Ikiz, Baran Say | G Major | 3 | 9B | 80 BPM | ||
| Black Sea - Live Performance | Kerem Görsev | C Major | 4 | 8B | 91 BPM | ||
| Hashish - Duo Version | Ibrahim Maalouf | E Minor | 2 | 9A | 79 BPM | ||
| Anubis Path | Gero Barsoum | A Minor | 5 | 8A | 97 BPM |