"O Mistress Mine - from "Twelfth Night, or What You Will" II, 3" by Thomas Morley, Deller Consort had its release date on 1968. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. O Mistress Mine - from "Twelfth Night, or What You Will" II, 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Mistress Mine - from "Twelfth Night, or What You Will" II, 3 by Thomas Morley, Deller Consort is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| In exitu Israel de Aegypto, "Psalm 113" | Josquin des Prez, Weser-Renaissance Bremen, Manfred Cordes | G Minor | 2 | 6A | 58 BPM | ||
| Kyrie | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 76 BPM | ||
| Morley: The First Booke of Ayres: No. 18, Sleep, Slumb'ring Eyes | Thomas Morley, Nikolaus Harnoncourt, Eugen Dombois, Nigel Rogers | A Minor | 2 | 8A | 90 BPM | ||
| J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Burial Service: IV. I Heard a Voice From Heav'n | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 69 BPM | ||
| O mors inevitabili | Jheronimus Vinders, Obsidienne, Emmanuel Bonnardot | D♭ Major | 1 | 3B | 69 BPM | ||
| Missa sopra Ecco si beato giorno: Kyrie | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | F Major | 2 | 7B | 76 BPM | ||
| Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
| De profundis, "Psalm 129" | Josquin des Prez, Weser-Renaissance Bremen, Manfred Cordes | A Minor | 2 | 8A | 137 BPM | ||
| Parce Domine | Jacob Obrecht, Odhecaton, Paolo da Col | E♭ Minor | 1 | 2A | 91 BPM | ||
| Allemandes - Arranged by Piffaro | Claude Gervaise, Piffaro | A♭ Major | 1 | 4B | 118 BPM | ||
| O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
| Chansons: Amoreux suy et me vient toute joye | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Minor | 3 | 1A | 107 BPM | ||
| Missa l'homme armé sexti toni: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | F Major | 1 | 7B | 73 BPM | ||
| Sermisy: Jouissance vous donneray | Claudin de Sermisy, Virelai | E Minor | 0 | 9A | 105 BPM | ||
| Now is the month of maying | Thomas Morley, The Toronto Consort | F♯ Major | 3 | 2B | 103 BPM | ||
| Crucifixus a 16 | Antonio Caldara, Les Cris De Paris, Geoffroy Jourdain | A Minor | 2 | 8A | 85 BPM | ||
| Lute music - England: Pavan | Thomas Morley, Konrad Ragossnig | F Major | 0 | 7B | 130 BPM | ||
| Madrigals, Book 1 (Il primo libro de madrigali 1587): Baci soavi e cari | Claudio Monteverdi, Consort Of Musicke, Anthony Rooley | F Minor | 0 | 4A | 75 BPM | ||
| Regina caeli laetare | Francisco Guerrero, RIAS Kammerchor, Justin Doyle | A Major | 2 | 11B | 79 BPM | ||
| Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
| Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM |