O Mistress Mine - from "Twelfth Night, or What You Will" II, 3
Thomas Morley, Deller Consort
English Renaissance and Baroque Music Edition
1:18 1968
BPM
79
Key
D Minor
Camelot
7A

Embed

Share Link

O Mistress Mine - from "Twelfth Night, or What You Will" II, 3 by Thomas Morley, Deller Consort Song Details

"O Mistress Mine - from "Twelfth Night, or What You Will" II, 3" by Thomas Morley, Deller Consort had its release date on 1968. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. O Mistress Mine - from "Twelfth Night, or What You Will" II, 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of O Mistress Mine - from "Twelfth Night, or What You Will" II, 3 by Thomas Morley, Deller Consort is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Music Key

This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-26.587 dB
Acousticness
100%
Danceability
11%
Energy
10%
Instrumentalness
14%
Liveness
13%
Loudness
56%
Speechiness
4%
Valence
10%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gloria in D Major: Et in terra by Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc RózsaGloria in D Major: Et in terraAntonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc RózsaD Major010B84 BPM
In exitu Israel de Aegypto, In exitu Israel de Aegypto, "Psalm 113"Josquin des Prez, Weser-Renaissance Bremen, Manfred CordesG Minor26A58 BPM
Kyrie by Josquin des Prez, A Sei Voci, Bernard Fabre-GarrusKyrieJosquin des Prez, A Sei Voci, Bernard Fabre-GarrusF Major27B76 BPM
Morley: The First Booke of Ayres: No. 18, Sleep, Slumb'ring Eyes by Thomas Morley, Nikolaus Harnoncourt, Eugen Dombois, Nigel RogersMorley: The First Booke of Ayres: No. 18, Sleep, Slumb'ring EyesThomas Morley, Nikolaus Harnoncourt, Eugen Dombois, Nigel RogersA Minor28A90 BPM
J'ayme trop mieux souffrir la mort by Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent DumestreJ'ayme trop mieux souffrir la mortGuillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent DumestreC Major08B80 BPM
MISA IN TE DOMINE SPERAVI: Gloria by Francisco Guerrero, A5 Vocal EnsembleMISA IN TE DOMINE SPERAVI: GloriaFrancisco Guerrero, A5 Vocal EnsembleG Minor16A85 BPM
Burial Service: IV. I Heard a Voice From Heav'n by Thomas Morley, Michael Bawtree, Annabell McLauchlan, David RowlandBurial Service: IV. I Heard a Voice From Heav'nThomas Morley, Michael Bawtree, Annabell McLauchlan, David RowlandG Minor16A69 BPM
O mors inevitabili by Jheronimus Vinders, Obsidienne, Emmanuel BonnardotO mors inevitabiliJheronimus Vinders, Obsidienne, Emmanuel BonnardotD♭ Major13B69 BPM
Missa sopra Ecco si beato giorno: Kyrie by Alessandro Striggio, Le Concert Spirituel, Hervé NiquetMissa sopra Ecco si beato giorno: KyrieAlessandro Striggio, Le Concert Spirituel, Hervé NiquetF Major27B76 BPM
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale GentTenebrae Responsories, Feria quinta: II. Tristis est anima meaCarlo Gesualdo, Philippe Herreweghe, Collegium Vocale GentD Minor17A171 BPM
Messe vidi turbam magnam: No. 7, Agnus dei by Gregorio Allegri, A Sei Voci, Bernard Fabre-GarrusMesse vidi turbam magnam: No. 7, Agnus deiGregorio Allegri, A Sei Voci, Bernard Fabre-GarrusF Major17B67 BPM
De profundis, De profundis, "Psalm 129"Josquin des Prez, Weser-Renaissance Bremen, Manfred CordesA Minor28A137 BPM
Parce Domine by Jacob Obrecht, Odhecaton, Paolo da ColParce DomineJacob Obrecht, Odhecaton, Paolo da ColE♭ Minor12A91 BPM
Allemandes - Arranged by Piffaro by Claude Gervaise, PiffaroAllemandes - Arranged by PiffaroClaude Gervaise, PiffaroA♭ Major14B118 BPM
O Salutaris Hostia by Pierre de la Rue, Netherlands Chamber Choir, Paul Van NevelO Salutaris HostiaPierre de la Rue, Netherlands Chamber Choir, Paul Van NevelG Major19B135 BPM
Chansons: Amoreux suy et me vient toute joye by Gilles Binchois, Ensemble Gilles Binchois, Dominique VellardChansons: Amoreux suy et me vient toute joyeGilles Binchois, Ensemble Gilles Binchois, Dominique VellardA♭ Minor31A107 BPM
Missa l'homme armé sexti toni: V. Agnus Dei by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de LoireMissa l'homme armé sexti toni: V. Agnus DeiJosquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de LoireF Major17B73 BPM
Sermisy: Jouissance vous donneray by Claudin de Sermisy, VirelaiSermisy: Jouissance vous donnerayClaudin de Sermisy, VirelaiE Minor09A105 BPM
Now is the month of maying by Thomas Morley, The Toronto ConsortNow is the month of mayingThomas Morley, The Toronto ConsortF♯ Major32B103 BPM
Crucifixus a 16 by Antonio Caldara, Les Cris De Paris, Geoffroy JourdainCrucifixus a 16Antonio Caldara, Les Cris De Paris, Geoffroy JourdainA Minor28A85 BPM
Lute music - England: Pavan by Thomas Morley, Konrad RagossnigLute music - England: PavanThomas Morley, Konrad RagossnigF Major07B130 BPM
Madrigals, Book 1 (Il primo libro de madrigali 1587): Baci soavi e cari by Claudio Monteverdi, Consort Of Musicke, Anthony RooleyMadrigals, Book 1 (Il primo libro de madrigali 1587): Baci soavi e cariClaudio Monteverdi, Consort Of Musicke, Anthony RooleyF Minor04A75 BPM
Regina caeli laetare by Francisco Guerrero, RIAS Kammerchor, Justin DoyleRegina caeli laetareFrancisco Guerrero, RIAS Kammerchor, Justin DoyleA Major211B79 BPM
Quemadmodum by John Taverner, Owen Rees, ContrapunctusQuemadmodumJohn Taverner, Owen Rees, ContrapunctusC Minor15A76 BPM
Miserere: IV. Redde mihi laetitiam by Gregorio Allegri, Le Poème Harmonique, Vincent DumestreMiserere: IV. Redde mihi laetitiamGregorio Allegri, Le Poème Harmonique, Vincent DumestreF Minor14A174 BPM
ISRC
DEE479800330
Label
L-M Records/RCA Records