Nobuo Uematsu's 'Only a Plank Between One and Perdition' had a release date set for March 1, 1999. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Only a Plank Between One and Perdition's duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 73 in FINAL FANTASY VIII Original Soundtrack by Nobuo Uematsu. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Only a Plank Between One and Perdition's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Only a Plank Between One and Perdition by Nobuo Uematsu is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unbreakable Chains | Project Destati | D Minor | 4 | 7A | 130 BPM | ||
| Theme of Rolento -USFⅣ Arrange- | Hideyuki Fukasawa | F♯ Major | 9 | 2B | 104 BPM | ||
| The Sound of the End | 帆足圭吾 | D Minor | 8 | 7A | 112 BPM | ||
| Twilight | 仲野順也 | D♭ Major | 3 | 3B | 69 BPM | ||
| Battle with an Esper | 崎元仁 | E♭ Major | 5 | 5B | 80 BPM | ||
| The Deep End - Rock Titan's Rage- | Yoko Shimomura | A♭ Minor | 7 | 1A | 153 BPM | ||
| Blood on the Keys | 桜庭 統 | D Minor | 1 | 7A | 64 BPM | ||
| ”Fight With Seymour” from FINAL FANTASY Ⅹ - Arrangement | 石元丈晴 | F♯ Minor | 9 | 11A | 140 BPM | ||
| Samsara and Paramnesia | Falcom Sound Team jdk | F♯ Minor | 9 | 11A | 100 BPM | ||
| Endless Paradox | 鈴木克崇, Naoshi Mizuta | C Minor | 1 | 5A | 81 BPM | ||
| Apocalypsis Noctis | Alex Moukala | F Minor | 7 | 4A | 124 BPM | ||
| Force and Furious | Noriyasu Agematsu | A♭ Major | 6 | 4B | 100 BPM | ||
| デスゲーム | 鈴木光人 | F Minor | 9 | 4A | 150 BPM | ||
| Tough Battle | Naoshi Mizuta | A♭ Minor | 8 | 1A | 114 BPM | ||
| Ys - Opening - | Falcom Sound Team jdk | D♭ Minor | 10 | 12A | 80 BPM | ||
| 最終兵器 | 伊藤 賢治 | F♯ Minor | 8 | 11A | 145 BPM | ||
| Rilgar: Blackwater City (From "Ratchet and Clank") | The Marcus Hedges Trend Orchestra | A Minor | 4 | 8A | 141 BPM | ||
| Saber's Edge (from "Final Fantasy XIII") | Alex Moukala | C Major | 5 | 8B | 156 BPM | ||
| Eclipse | 本田みちよ | C Minor | 6 | 5A | 80 BPM | ||
| Lock, Load, and Blast! | Tsuyoshi Sekito | D Minor | 7 | 7A | 139 BPM | ||
| 「反乱軍のテーマ」 from FINAL FANTASY II - arrange | Tsuyoshi Sekito | E Minor | 10 | 9A | 165 BPM | ||
| シ界 | 鈴木光人 | C Minor | 9 | 5A | 130 BPM | ||
| Final Fantasy I-VI: Battle Medley | Arnie Roth, Distant Worlds Philharmonic Orchestra | G Minor | 7 | 6A | 74 BPM | ||
| Unknown Threat | Falcom Sound Team jdk | B Major | 9 | 1B | 112 BPM | ||
| 「守るべきもの」 from FINAL FANTASY IX - arrange | 石元丈晴, AYANO | G Minor | 10 | 6A | 142 BPM |