On March 7, 2025, the song "30 Brani per chitarra n.19" was released by Anton Diabelli, Modus. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modus's "Guitar views" album is number 37 out of 72. On top of that, Italy appears to be the country where this track was created. 30 Brani per chitarra n.19 is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 30 Brani per chitarra n.19 by Anton Diabelli, Modus to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inca Nocturne No. 5 - Duo-Art 6191 | Carlos Valderrama, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
| 7 Morceaux de salon, Op. 10: No. 6, Romance | Sergei Rachmaninoff, Boris Giltburg | D♭ Major | 0 | 3B | 65 BPM | ||
| Nocturne in E-Flat Major, Op. 647 | Carl Czerny, Vadim Chaimovich | E♭ Major | 0 | 5B | 66 BPM | ||
| Symphonic Etudes, Op. 13: Variation VII (1852) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| The Algot Waltz | Christian Schittenhelm, Peter Jablonski | G Major | 2 | 9B | 77 BPM | ||
| Sonatina No. 3 in C Major, Op. 168: I. Allegro Moderato | Anton Diabelli, Claudio Colombo | C Major | 1 | 8B | 104 BPM | ||
| Ave Maria, CG 89a (After Bach's BWV 846) [Arr. for Vibraphone & Piano by Guoda Gedvilaitė] | Charles Gounod, Guoda Gedvilaitė | E Minor | 0 | 9A | 81 BPM | ||
| Fugue in Gm (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | D♭ Major | 0 | 3B | 65 BPM | ||
| no way back | Secundia Afer | G Major | 1 | 9B | 146 BPM | ||
| in calm water | Do Min Woo | F♯ Minor | 0 | 11A | 181 BPM | ||
| Paderewski: 6 Humoresques de concert, Op. 14, Cahier I "À l'antique": No. 1, Menuet célèbre | Ignacy Jan Paderewski, Mariam Batsashvili | G Major | 1 | 9B | 106 BPM | ||
| 5 Lieder, Op. 105 (Excerpts Arr. K.H. Schütz for Flute & Piano): No. 1, Wie Melodien zieht es mir | Johannes Brahms, Karl-Heinz Schütz, Maria Prinz | F Major | 1 | 7B | 72 BPM | ||
| Sonata for Violin & Harp No. 4 in E-Flat Major, Op. 113 (Version for Cello & Harp): II. Adagio | Louis Spohr, Helga Storck, Klaus Storck | A Major | 0 | 11B | 117 BPM | ||
| On an Overgrown Path, Series 1, JW VIII/17: No. 9, V pláči | Leoš Janáček, Jennifer Elowsky-fox | D♭ Major | 0 | 3B | 128 BPM | ||
| Jezus neemt de zondaars aan | Reformatorisch Jongerenkoor Chenánja, Jan Hendrik van Schothorst | A Major | 2 | 11B | 70 BPM | ||
| Elegy No. 1 in F Minor | Milenna Jovic | F Major | 1 | 7B | 77 BPM | ||
| 4 piezas cristalinas: No. 3, Verde alma | Maximo Diego Pujol, Emmanuel Rossfelder | A Major | 2 | 11B | 108 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | D♭ Major | 0 | 3B | 65 BPM | ||
| Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
| Sonatina No. 2 in G Major, Op. 168: I. Allegro Moderato | Anton Diabelli, Claudio Colombo | G Major | 1 | 9B | 131 BPM | ||
| Symphonic Etudes, Op. 13: Variation V (1852) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| Distant | Misya | B Minor | 1 | 10A | 100 BPM | ||
| Kleine Suite. Op. 18. No.1: Wonderful Idea - Duo-Art 6370 | Joseph Holbrooke, Peter Phillips | D♭ Major | 0 | 3B | 65 BPM | ||
| Berceuse, Op. 26 No. 7 - Welte-Mignon 970 | Ludwig Theodor Schytte, Anna Jutta Schytte, Peter Phillips | G Major | 1 | 9B | 71 BPM | ||
| Keyboard Sonata in G Major, Kk. 523 (Arr. for Piano by Ignaz Friedman) | Domenico Scarlatti, Joseph Banowetz | D Major | 2 | 10B | 205 BPM |