Skullcrusher's 'The Emptying (Live)' had a release date set for February 6, 2026. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. The Emptying (Live)'s duration is considered a little bit shorter than the average duration of a typical track. Since The Emptying (Live) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. The Emptying (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Emptying (Live) by Skullcrusher having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bare Morning | Z1ON R4Y | E Major | 1 | 12B | 136 BPM | ||
| until we met | carpet bed, ghoulgirl | F Major | 1 | 7B | 102 BPM | ||
| Déluge | Solor | C Major | 1 | 8B | 79 BPM | ||
| Angelfish | Heather Maloney | G Major | 3 | 9B | 132 BPM | ||
| Where the Rain Falls | Kellyn Marie Goler | G Major | 2 | 9B | 125 BPM | ||
| 05:00 | How I Became A Wave | D Major | 0 | 10B | 68 BPM | ||
| Tell Me a Story | The Soil and The Seed Project, Spectator Bird | C Major | 2 | 8B | 144 BPM | ||
| faucet | Lyla George | F Major | 1 | 7B | 102 BPM | ||
| Liquid Memory | FeQuency | B♭ Minor | 0 | 3A | 62 BPM | ||
| The Light in Your Eyes Faded Too | Theo Bleak | C Minor | 3 | 5A | 148 BPM | ||
| To Be Enough | Dani Larkin | F Major | 1 | 7B | 102 BPM | ||
| Let Me Let You Go | Eirra | D Major | 1 | 10B | 124 BPM | ||
| Veins of Light | McHead | A Major | 0 | 11B | 83 BPM | ||
| When Something Turns to Peace | Chris Lippincott, Maya De Vitry | F Major | 1 | 7B | 102 BPM | ||
| Better Half of Me | Isabel Rumble | F Major | 4 | 7B | 144 BPM | ||
| Gently - alexrainbirdSessions | alexrainbirdSessions, Maya Lane | E♭ Major | 1 | 5B | 142 BPM | ||
| The Raindrop Cars | The Innocence Mission | B Minor | 5 | 10A | 94 BPM | ||
| matter to you (may).m4a | Olivia Barton | F Major | 1 | 7B | 102 BPM | ||
| Half-Life | Thomas Bensdorp, Tessa Rose Jackson | F Major | 1 | 7B | 102 BPM | ||
| The Window Facing Nowhere | Rossbelai | E Minor | 0 | 9A | 143 BPM | ||
| Rain All Day | Ella Clayton | F Major | 1 | 7B | 102 BPM | ||
| Magical Thinking | Kesang Marstrand | F Major | 2 | 7B | 127 BPM | ||
| If I Kill You | Hannah Hill | G Major | 2 | 9B | 131 BPM | ||
| Euodia | River & Rail | A Major | 2 | 11B | 78 BPM | ||
| Want You - soft version | Francis of Delirium | A Major | 2 | 11B | 93 BPM |