"The Scratch Variation - After Goldberg Variations" by Johann Sebastian Bach, DJ Logic had its release date on October 26, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "The Classical Variations". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. The Scratch Variation - After Goldberg Variations is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Scratch Variation - After Goldberg Variations by Johann Sebastian Bach, DJ Logic having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
| Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
| (Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
| Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
| La Caroline | Carl Philipp Emanuel Bach, Christopher Ferreira | A Minor | 0 | 8A | 147 BPM | ||
| Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | ||
| Flute Concerto in G Minor, Op. 10/2, RV 439 "La notte": V. Il sonno. Largo – VI. Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme | Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam | A♭ Major | 1 | 4B | 172 BPM | ||
| Nun ruhen alle Wälder, BWV 392 | Paul Gerhardt, Johann Sebastian Bach, Johannes Schmidt | D Major | 0 | 10B | 65 BPM | ||
| Busoni: 10 Chorale Preludes, BV B 27: V. Ich ruf' zu dir, Herr Jesu Christ (After No. 40 from J . S. Bach's "Orgelbüchlein", BWV 639) | Johann Sebastian Bach, Leif Ove Andsnes | F Minor | 0 | 4A | 63 BPM | ||
| Schwanengesang, D. 957: Ständchen | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
| Württemberg Sonata No. 4 in B-Flat Major, H. 32: II. Andante | Carl Philipp Emanuel Bach, Keith Jarrett | G Minor | 1 | 6A | 206 BPM | ||
| Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: III. Andantino, dolce | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 173 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
| Keyboard Sonata in E Major, Kk. 20 | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM |