"Candela (For Sascha Heeney)" by Matthew Bourne had its release date on August 18, 2017. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Matthew Bourne's "Isotach" album is number 8 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Candela (For Sascha Heeney)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Candela (For Sascha Heeney) by Matthew Bourne to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rogers Park | Clem Leek | A Minor | 2 | 8A | 120 BPM | ||
| The Nude and the Quiet | Simon P. Castonguay, Tambour | B Major | 2 | 1B | 149 BPM | ||
| Grey Cloud Lullaby | Slow Meadow | D Major | 2 | 10B | 63 BPM | ||
| Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
| The Face | Paul Dunmall, Matthew Bourne, Dave Kane, Steve Davis | G Major | 1 | 9B | 95 BPM | ||
| 23:17 | Ólafur Arnalds, Nils Frahm | D♭ Major | 2 | 3B | 111 BPM | ||
| Black Sea And Red Sky | Hior Chronik, Georgios Papadopoulos | A Minor | 1 | 8A | 71 BPM | ||
| A Summer By The Sea I | Library Tapes, Julia Kent | D Major | 1 | 10B | 69 BPM | ||
| Dear, Eulogy | Illuminine | B Minor | 1 | 10A | 72 BPM | ||
| A sleepless night | Luca Longobardi | C Minor | 1 | 5A | 108 BPM | ||
| A Walking Embrace | Nils Frahm | A Major | 1 | 11B | 183 BPM | ||
| Hidden Shadows | Matt Calvert, Ståle Storløkken, Matthew Bourne, Dave Smith, Sam Wilson | D Major | 4 | 10B | 80 BPM | ||
| Pauvre Simon | Sylvain Chauveau | A Minor | 2 | 8A | 147 BPM | ||
| Enfolding | Jim Perkins | C Major | 0 | 8B | 84 BPM | ||
| Trills | Anna Carter & Ed Hamilton, Dead Light | C Minor | 4 | 5A | 158 BPM | ||
| Bise | Keith Tippett, Matthew Bourne | D♭ Minor | 9 | 12A | 132 BPM | ||
| Sky Could Undress | Balmorhea | A Major | 2 | 11B | 146 BPM | ||
| Far And Close | Dmitry Evgrafov | E♭ Major | 0 | 5B | 82 BPM | ||
| I Dreamt I Still Knew Myself | Alaskan Tapes | F♯ Major | 0 | 2B | 94 BPM | ||
| Abreagierung 50°56'01.6"N 0°47'33.4"E | Matthew Bourne | E Major | 0 | 12B | 74 BPM | ||
| Ruins | Jim Copperthwaite | A♭ Major | 1 | 4B | 94 BPM | ||
| Walzer für Robert | Anne Müller | B Minor | 2 | 10A | 132 BPM | ||
| Hanging D - Cello Octet Amsterdam Version | Joep Beving, Cello Octet Amsterdam | D Minor | 3 | 7A | 174 BPM | ||
| Machell | Nightports, Matthew Bourne | E Major | 2 | 12B | 81 BPM | ||
| Wedding Mala (For Dave & Nicola) | Matthew Bourne | B Minor | 3 | 10A | 110 BPM |