"Medusa" by Alexandre Desplat had its release date on July 20, 2017. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Valerian and the City of a Thousand Planets (Original Score) by Alexandre Desplat. The song's track number on the album is #13 out of 23 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Medusa's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Medusa by Alexandre Desplat has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Medusa being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Soul Inside | Antonio Pinto | D♭ Minor | 3 | 12A | 88 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| Snape's Demise | Alexandre Desplat | A♭ Major | 0 | 4B | 83 BPM | ||
| Reconcile | Jon Brion | F Major | 1 | 7B | 81 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Bedtime Stories | Mike Higham, Matthew Margeson | A♭ Major | 1 | 4B | 92 BPM | ||
| No Regrets | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 84 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Playing Mr. Ganz | Carlos Rafael Rivera | F Major | 0 | 7B | 68 BPM | ||
| Brideshead Revisited: No. 4, Oxford | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | C Minor | 3 | 5A | 120 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Knights of the Round Table | Rob Lane | E Major | 1 | 12B | 86 BPM | ||
| Did You Let Me Go? | Geoff Zanelli, Jon Brion | G Minor | 1 | 6A | 82 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| The Vikings Have Their Tea | John Powell | G Major | 3 | 9B | 63 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| Forbidden Love | Abel Korzeniowski | B Minor | 3 | 10A | 129 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Elizabeth's Portrait | Max Richter | E Minor | 2 | 9A | 137 BPM | ||
| Haiku | Thomas Newman | F♯ Major | 1 | 2B | 80 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM |