- BPM
- 111
- Key
- G Minor
- Camelot
- 6A
Galliard by Peter Philips, Paul O'Dette Song Details
Peter Philips, Paul O'Dette's ' "Galliard" was released on its scheduled release date, 2001. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Galliard's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Robin Hood: Elizabethan Ballad Settings". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Galliard is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
With Galliard by Peter Philips, Paul O'Dette having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -33.783 dB
- Acousticness
- 97%
- Danceability
- 33%
- Energy
- 3%
- Instrumentalness
- 89%
- Liveness
- 8%
- Loudness
- 44%
- Speechiness
- 5%
- Valence
- 52%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | |
 | Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | |
 | D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | |
 | Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum | Claudio Monteverdi, Andrew King, New London Consort, Philip Pickett | C Major | 1 | 8B | 87 BPM | |
 | In manus tuas I: In manus tuas I | John Sheppard, Stile Antico | C Major | 0 | 8B | 79 BPM | |
 | Ecce vicit Leo a 8 | Peter Philips, Choir of Gonville & Caius College, Cambridge, In Echo, Matthew Martin | A♭ Major | 2 | 4B | 91 BPM | |
 | Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | |
 | Nigra sum, sed formosa | Ars Poliphonica | F♯ Major | 2 | 2B | 119 BPM | |
 | Danserye: Pavane: No. 38, - Gaillarde: No. 50, La dona (Arr. L. Czidra) | Tylman Susato, Camerata Hungarica, László Czidra | D Minor | 1 | 7A | 101 BPM | |
 | Talve öö | Pärt Uusberg, Miina Pärn, Merili Kristal, Annely Leinberg, Endrik Üksvärav, Roland Viilukas, Rasmus T, Collegium Musicale Chamber Choir | E♭ Major | 0 | 5B | 172 BPM | |
 | Evening Service in G Minor, Z. 231: II. Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | |
 | The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F♯ Major | 2 | 2B | 119 BPM | |
 | Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | |
 | Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | |
 | Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | |
 | Ich danke dir Gott | Heinrich Bach, Vox Luminis, Lionel Meunier | C Major | 2 | 8B | 109 BPM | |
 | Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | |
 | Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | |
 | Conductus flos in monte cernitur | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker, Tereza Havlíková | C Major | 1 | 8B | 79 BPM | |
 | Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 82 BPM | |
 | Gloria in excelsis | John Cooke, Gothic Voices | F Major | 1 | 7B | 107 BPM | |
 | Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | |
 | Cantiones sacrae octonis vocibus: No. 7, Ecce vicit Leo | Peter Philips, BYU Singers, Andrew Crane | A Major | 2 | 11B | 93 BPM | |
| Vespro della Beata Vergine, SV 206: XIIIj. Magnificat "Sicut locutus est" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | B♭ Minor | 1 | 3A | 82 BPM |
- ISRC
- USHM19926507
- Label
- L-M Records/RCA Records